![]() |
| August 2020 |
![]() |
| It just got straight up Little Orphan Annie in here! |
![]() |
| August 2020 |
![]() |
| It just got straight up Little Orphan Annie in here! |
So - spoiler alert - ScreenRant isn't exactly the headquarters of factual information but they do a lot of clickbait and are allllways at the top of any search for general pop culturey stuff, which I know because I make an effort to avoid clicking on their articles. Today though, they got me.
I was curious about the tattoo on Harley's back so I read this article by a Thomas Bacon (1/9/2020) in which he states it says property of no-one, which is a throwback to her 'property of Joker' jacket from the first Suicide Squad movie. While I wish we could see this relationship actually play out on the silver screen, Mr. Bacon portrays these tattoos like they're a full relationship run-down and all we need to know.
I was curious about the 'subtly set up romance' thing because if there's one thing DC doesn't do well in it's films it's.... ok, well, one thing among many is that they ain't subtle.But attentive viewers will have noticed a subtle change in Harley Quinn; specifically, her tattoos. Most of these were supposed to have been made by Harley herself, while she was languishing in prison, bored out of her mind. But there are a couple of exceptions, ones in places even the uber-flexible Harley couldn't reach. And all of these conveyed a sense of ownership, suggesting the Joker had branded Harley. One on Harley Quinn's back literally identifies her as "property of Joker." It's easy to miss, but this has actually changed in the behind-the-scenes footage from The Suicide Squad, suggesting Harley has had someone paid to alter the tat. It now reads, "property of no one.
It's a subtle detail, but a great visual way of reminding viewers of Harley's character arc. It suggests Harley Quinn is following the same journey she did in the comics, where she learns to define herself as an individual rather than by her relationships. While she no doubt won't stay single - Birds of Prey subtly set up the romance between Harley Quinn and Poison Ivy - she will never again allow herself to be drawn into the kind of unhealthy, obsessive and abusive relationship she had with the Joker.
All this means Harley Quinn is more than a Joker abuse victim. Rather, she is recovering from her time with the Clown Prince of Crime, getting on with her life, and in so doing presenting a brilliant example to viewers. Superhero franchises rarely explore this theme, tending to show healthy relationships and present idealised views of love and romance. But Harley Quinn is far more real, meaning she has one of the best arcs in the DCEU to date. This tattoo confirms that arc will continue in James Gunn's The Suicide Squad.
![]() |
| July 2019 Writer: Sam Humphries Art: Otto Schmidt Cover: Guillem March "Death becomes Harley" |
The variant cover artist is Frank Cho who I have criticised before for being ![]() |
| April 2020 |
![]() |
| Fight or Flight May 2020 Writer: Simone Cover: Lupacchino and McCaig Interiors art: Miranda |
The interior art is very much a step below the cover. I'm not really a fan of Miranda's art. At least here there is a bit more to differentiate Harley and Canary, although I stand by my previous comments about Harley needing a better outfit because she looks ridiculously out of place compared to the people she's with, to the extend someone could have poorly photo-shopped her in.
Alright, this one I've been putting off for a while because just reading this comic exhausted me. More on that later.![]() |
| Oct 2013 "Slash 'n' Burn" Writer: Ales Kot Pencils: Rick Leonardi |
![]() |
Release Date: September 24, 2014 Harley and The Joker make it legal at last! Follow the happy couple to their secret honeymoon spot, where it’s literally till death do they part! |

I personally believe that it has the best 3D motion cover out of them all, even though I'm not a fan of Conner's art style. In this case, I feel like they really made the most of the lenticular covers and showed a stark change between fantasy and reality. Close runners up are Wonder Woman and Batwoman and the Suicide Squad one. The rest are kinda meh. Anyway, even if Harley's cover sucked it's still better than that crappy villain's month turd lenTURDiclar cover!![]() |
| "Gurl, don't even try to talk to me, you a mess." |
![]() |
| "Sometimes I cut myself.. but I'm not splitting hairs over it." |
![]() |
| "Screw you for leaving me out of your great movie, Pheonix!" |
![]() |
| **Black Canary intensifies** |
![]() |
| Sept 2013 Writer: Ales Kot Artist: Patrick Zircher Colours: Jason Keith "Light at the End of the Tunnel" |

But of course - our Harley is still running around wearing her usual outfit and ... a scarf?
Holy crap, this issue only has one cover that I can tell! I don't 
So is her more recent fame based off her short lived faux-youTube series, that time she ran for Mayor or when she had her goon squad of stereotypes that tried to help the city but normally ended up making things worse. It's still really unclear if people realise she's that Harley Quinn that hung out with the Joker and what not.. every now and then someone says to her "grr grr you're a criminal grr grr" and Harley just goes "No, I've changed. Hmph!" and struts out to waves of applause from the general populace of Coney Island who just don't care about all the crap she's brought to their city since Harley "left her life of crime behind."