Harley Quinn And The Birds Of Prey

You can probably guess that I've put off reviewing this one for as long as I can.

April 2020

The creative team that transformed Harley Quinn forever returns to shake up her world once more-and this time, the gloves are off! Harley Quinn has avoided Gotham City ever since she broke up with The Joker and found a home, and a kind of family, in Coney Island. But when she gets an offer she can’t refuse, she has no choice but to slip back into the city as quietly as she can, hoping to be gone before anyone-especially her ex-learns she’s been there. But for Harley, “as quietly as she can” is plenty loud…and before she can say “Holee bounty hunters, Batman,” The Joker’s sicced every super-villain in the city on her pretty ombré head-and the only team tough enough (or crazy enough) to come to her defense is the Birds of Prey! The foul-mouthed, no-holds-barred sequel to one of DC’s raciest runs is here! Get on board early, before we come to our senses!

So, the team that messed up Harley Quinn for iterations to come decided to break their 'Harley Quinn retirement' now that there's more media focus on her than usual, they can smell the dinero from a mile away.. and in doing so are going to schlock out their usual off brand catch phrases, show how absolutely annoying their Harley is, and forget that she's been seen in and out of Gotham several times during their run.

Going from that blurb, this is meant to be a direct sequel to the recent movie I guess?

The cover already made me lose what little hope I had. Here are five women of diverse nationalities who all have the exact same face and body type.  The characters in the movie (if you can call it that) were already so distanced from their comic counterparts, but here while they look a bit more like the characters they're meant to be - we still get to tell them apart by their accessories. 

LOL Montoya has doughnuts, she must be a cop! Ha, Cassandra is such a little cat burglar, look at her hoodie with cat ears and how she's stolen Huntress' arrows! 

Also.. are the Birds in Coney Island because otherwise what's with this backdrop of Harley's hotel full of her extended roster of bit-parters if she's supposed to be in Gotham? 

The only thing I LIKE about this cover is the can that says "Oh, happy spray!" but come on, that's not exactly original either, is it?

Justice League vs Suicide Squad #3

March 2017
Writer: Joshua Williamson
Pencils: Jesus Merino
Inks: Andy Owens

This cover isn't bad - I do question what's going on with Batman's legs though. And I don't think they've in any way contained Wonder Woman or Aquaman. Flash kinda looks like he's playing Wii tennis or DDR or something. I do like what they did with Waller and the title of the issue. It's not groundbreaking by any means - pretty sure Waller does this pose at least once every appearance she makes like it's her default character standby mode, but still... when it works, it works!




The two variants just focus on Harley Quinn and Wonder Woman, and like the recent review I did of Wonder Woman: Agent of Peace - the name 'variant' is ironic as there's little to be found here. Both covers feature Harley leaping through the air with the greatest of ease, wielding a weapon and a maniacal smile with which to somehow beat down on Wonder Woman - who stands her ground with less a look of determination but exasperation that these foes think they seriously have a chance, and make her calculate how to destroy them without accidentally killing them with her left pinky finger if Wonder Woman slightly waves her hand without warning.

Both covers take place in some sort of empty void where the only thing apart from the characters are a couple of yellow bursts of gunfire or hammer blows. As usual, the Conner cover is less appealing to me than the other one, which is done by Laura Martin. By Conner's logic, Harley's been suspended in mid-air for some time now, and has been shooting through enough bullets and clips to almost bury the Amazonian, yet for some reason Wondy is only NOW doing something half hearted to stop her? More flash forwards to Agent of Peace again. By contrast, the Martin cover (apart from Harley's face and waist) doesn't look too bad - I like Harley's pants and the fact that it looks like Harley is only wearing face paint, (without her dumb eyeshadow!) and the rest of her body is normal... and Diana is moving in to take her down. Yes.

Well, when we last left off, the Squad was fighting with the League - kind of. Then Killer Frost took out Superman and everyone got frost bite. What? I'm not wrong!

Harley Quinn: Make 'Em Laugh #1

2020
Writer: Mark Russell
Artist: Laura Braga
Colours: Luis Guerrero
Cover: Andrew Robinson

It’s hard out there for a freelancer! Looking to make some quick cash, Harley takes on odd jobs in her many wheelhouses—therapising bad guys, tracking down stolen art from the Gotham Art Museum...but when it turns out the thief has his own mental baggage to unpack, Harley’s got a real Thinker on her hands!


First things - not sure why this series is called 'make 'em laugh' and honestly I thought the sub title of 'Head Shrink' meant that this story was going to be about Harley seeing patients all day.

Gotta say, when I saw yet another Harley title I did get a bit aggro about it. I mean, it's really over kill at this point. Plus the cover did not grab me at all - Clayface is hyper-realistic but Harley doesn't match that at all, looking like a rough sketch with weird stick arms and severe Miley Cyrus tongue. The background is juvenile looking with the stars and visual onomatopoeia. I've seen worse covers but this one is a bit mismatched. Apart from that, I do like the poses and Clayface does look good.

Thankfully the interior art is beautiful - it's detailed, proportioned, the colours are amazing and the people all gesture, move and look like.. well, people! And this artist is Braga - who I previously panned for the weird art, backgrounds, poses and faces in Harley and Ivy meet Betty and Veronica. Well, what a damn turn around! You go girl!

However, the best part of the book is actually Harley. More on that later, let's have a look at the story.

Harley is using her psychiatry skills to pay the bills but is also taking up freelance work, like looking into an art thief for the Gotham Metropolitan Museum of Art. I like that the museum staff aren't too sure - one outright suggests this is crazy and Harley could even be responsible for the crime, the other doesn't seem to mind Harley too much but admits they're desperate. This is a nice change because when Harley did this freelance lark in her solo series it was either Harley forcing her way onto jobs and solving everything with violence or people being so far up her butt they couldn't tell she was the worst person they could have hired.

Birds of Prey: Sirens of Justice #1

Not content with her own comic empire, a successful Gotham City Sirens run and a miserable attempt to encroach on the Birds of Prey universe via cinematic vomit, DC has decided to combine all three of these elements to make this Birds of Prey: Sirens of Justice - The inclusion of one Harley Quinn.

Sigh.

At least going from the cover art and the involvement of one Gail Simone, this should be better than that hideous movie-comic tie-in we had before.

Fight or Flight
May 2020
Writer: Simone
Cover: Lupacchino and McCaig
Interiors art: Miranda

As much as this cover is actually visually appealing - I'm a bit concerned that Harley is basically wearing as knock off version of Canary's outfit. Remember that old design guideline where it was basically law for any TV show/movie/comic etc that had more than one female, that they all had to wear a different style top etc? Anime fans would be familiar with uniformed school girls having extremely varied socks - same kinda thing.

They even go as far as to include fishnets on Harley's get up though - like.. a blonde wearing fingerless gloves, jacket, booty shorts with the same belt, fishnets and then the matching mid-calf black boots? COME ON. That job's been taken already!

I really wish they had taken a page from some of the other outfits Harley has worn, like Arkham City, Assault on Arkham, Gotham City Garage, Joker TPB, Injustice and even the rare Suicide Squad where she has pants and a functional looking outfit..


The interior art is  very much a step below the cover. I'm not really a fan of Miranda's art. At least here there is a bit more to differentiate Harley and Canary, although I stand by my previous comments about Harley needing a better outfit because she looks ridiculously out of place compared to the people she's with, to the extend someone could have poorly photo-shopped her in.
The background work is very nice though, so points for that.

Happy about Simone being back in the saddle - her dialogue between the Birds seems natural and fits their respective personalities, plus her Harley sounds less like an inbred hick and more like someone who genuinely has a bit of an accent/dialect.

My first issue with this first issue though is that it opens on "Later. Ten blocks away and thirty stories up..." which could work for the intrigue aspect but it just happens way too often in comics. Like, flitting between then and now is fine, but didn't we used to just have the comic open and THEN have the later/earlier sequence pop up? This reeks of Conner/Palmiotti. Ugh.

Next issue is immediate.
Harley Quinn is making all the decisions for a team she's not even in and everyone else just goes with it, while making vague comments about her mental capacity.