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| August 2020 |
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| It just got straight up Little Orphan Annie in here! |
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| August 2020 |
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| It just got straight up Little Orphan Annie in here! |


The first thing that drew my attention on this cover was the tiny top banner with classic Harley shoving current Harley. It's cute, and in character. I don't know how I didn't look at the main picture first because YE GADS what on Earth is that? Did the nineties comic scene throw up again? I mean, it's not that baaaad... I guess but it also... doesn't make sense?
Why is her arm a box? Is her hair made out of pom-poms? I was confused about her foot being a demented roller blade but then I realised that's meant to be her arm, not the box... her foot is that faux Japanese mask and cybergoth fluffies. So... what IS the box doing there? Is it part of her outfit, or is it the background? What's the other thing floating around her? Where are her eyeballs? Is this the revenge of Suicide Squad New52? Her pigtails trailing so long and being around all these mechanical parts makes me hella anxious too.
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Moving on with the comic itself - Harley is still reading her own comic book to escape the realities of her mom's hospital trip and-OH okay, inside is another picture from the cover and as it turns out, the star and box (diamond?) are SHOULDER PADS.
.....Eh, still more in true to her origins than what she has been seen wearing, even if she's got a reject Dazzler from the future/Jem and the Holo-hell no's/Ziggy Star-Don't feel to her.
Still weird though.
Side note, I don't know a thing about Year of the Villain so if everyone's gonna be in these extreme cosplayer gladiator outfits I - well, actually I'm in two minds about reading it.
So - spoiler alert - ScreenRant isn't exactly the headquarters of factual information but they do a lot of clickbait and are allllways at the top of any search for general pop culturey stuff, which I know because I make an effort to avoid clicking on their articles. Today though, they got me.
I was curious about the tattoo on Harley's back so I read this article by a Thomas Bacon (1/9/2020) in which he states it says property of no-one, which is a throwback to her 'property of Joker' jacket from the first Suicide Squad movie. While I wish we could see this relationship actually play out on the silver screen, Mr. Bacon portrays these tattoos like they're a full relationship run-down and all we need to know.
I was curious about the 'subtly set up romance' thing because if there's one thing DC doesn't do well in it's films it's.... ok, well, one thing among many is that they ain't subtle.But attentive viewers will have noticed a subtle change in Harley Quinn; specifically, her tattoos. Most of these were supposed to have been made by Harley herself, while she was languishing in prison, bored out of her mind. But there are a couple of exceptions, ones in places even the uber-flexible Harley couldn't reach. And all of these conveyed a sense of ownership, suggesting the Joker had branded Harley. One on Harley Quinn's back literally identifies her as "property of Joker." It's easy to miss, but this has actually changed in the behind-the-scenes footage from The Suicide Squad, suggesting Harley has had someone paid to alter the tat. It now reads, "property of no one.
It's a subtle detail, but a great visual way of reminding viewers of Harley's character arc. It suggests Harley Quinn is following the same journey she did in the comics, where she learns to define herself as an individual rather than by her relationships. While she no doubt won't stay single - Birds of Prey subtly set up the romance between Harley Quinn and Poison Ivy - she will never again allow herself to be drawn into the kind of unhealthy, obsessive and abusive relationship she had with the Joker.
All this means Harley Quinn is more than a Joker abuse victim. Rather, she is recovering from her time with the Clown Prince of Crime, getting on with her life, and in so doing presenting a brilliant example to viewers. Superhero franchises rarely explore this theme, tending to show healthy relationships and present idealised views of love and romance. But Harley Quinn is far more real, meaning she has one of the best arcs in the DCEU to date. This tattoo confirms that arc will continue in James Gunn's The Suicide Squad.
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| August 2002 Writer: Karl Kesel Cover: Terry & Rachel Dodson Art: Brandon Badeaux Inks: Dan Davis Colours: Guy Major |
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| Without a doubt one of the best wanted posters I've ever seen! |
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| July 2019 Writer: Sam Humphries Art: Otto Schmidt Cover: Guillem March "Death becomes Harley" |
The variant cover artist is Frank Cho who I have criticised before for being ![]() |
| Writer: Tom Taylor Art/cover: Bruno Redondo |
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| 2020 Story/Art: Sejic Lettering: Gabriela Downie |
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| April 2020 |
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| March 2017 Writer: Joshua Williamson Pencils: Jesus Merino Inks: Andy Owens |

The two variants just focus on Harley Quinn and Wonder Woman, and like the recent review I did of Wonder Woman: Agent of Peace - the name 'variant' is ironic as there's little to be found here. Both covers feature Harley leaping through the air with the greatest of ease, wielding a weapon and a maniacal smile with which to somehow beat down on Wonder Woman - who stands her ground with less a look of determination but exasperation that these foes think they seriously have a chance, and make her calculate how to destroy them without accidentally killing them with her left pinky finger if Wonder Woman slightly waves her hand without warning.![]() |
| 2020 Writer: Mark Russell Artist: Laura Braga Colours: Luis Guerrero Cover: Andrew Robinson |
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| Fight or Flight May 2020 Writer: Simone Cover: Lupacchino and McCaig Interiors art: Miranda |
The interior art is very much a step below the cover. I'm not really a fan of Miranda's art. At least here there is a bit more to differentiate Harley and Canary, although I stand by my previous comments about Harley needing a better outfit because she looks ridiculously out of place compared to the people she's with, to the extend someone could have poorly photo-shopped her in.
Alright, this one I've been putting off for a while because just reading this comic exhausted me. More on that later.![]() |
| Oct 2013 "Slash 'n' Burn" Writer: Ales Kot Pencils: Rick Leonardi |
When we last left off with the Gotham City Sirens, Edward Nigma had been helping them solve a murder they were seemingly being framed for, and had now found himself into some hot water as a result.
That said, it may not just be a gang gimmick because when the bartender pulls a gun, Cathead does some super speed ninja-ing to save a wolf friend. Props for this one thug to go the cartoon route when their colleagues clearly decided on an ultra-realistic theme. You might even say this lone wolf went against the pack mentality? Hehehe.