Birds of Prey (and the fantabulous emancipation of one Harley Quinn) Trailer #1

Today I watched the Birds of Prey trailer.
Kinda wish I hadn't.
Well... this will be an ultimate breakdown, and believe me, when you screen cap this stuff you realise how much time is spent yet again on Harley as opposed to the rest of the motley crew.
Also how much everyone slags the Birds of Prey TV show when this looks to be in the same vein.




Hardly Quinn walks down a neon street asking someone if they know what a harlequin is.

She goes on to explain in a weird, drunken voice that 'a harlequin's role is to serve, they're nothing without a master.' Actually, harlequins were more like advisers to royalty and were the only ones who could basically tell the king he was a frickin' gobshite without losing their head over it.

Cut to Huntress in a old looking church for like a split second.

Back to Hardly Quinn in a bar after she got drunk and fell into a pile of sequins and diamontes.

She's talking to the race swapped Black Canary... who is apparently a smoker? Um, lady - your lungs? The ones you need to screm? Alright, good luck scremin' loud with laryngitis.

"Gurl, don't even try to talk to me, you a mess."

Hardly tells Canary; 'No one gives two shits who we are beyond that.' Ah, this is some meta reference that no-one cares who the Birds are because Hardly is taking all their screen time.

WB/DC logos in that miserable half pink half blue dye job that would otherwise get you dropped from beauty school.
Hardly cuts her pigtails... slightly? I guess this is character development in her mind.

"Sometimes I cut myself.. but I'm not splitting hairs over it."

'The Joker and I... broke up.' Cut to a terrible drawing of the Joker as seen in his original comic form being stabbed and slashed. Ironic that his image is damaged, yet his tattoo is mysteriously absent. Hmm.

"Screw you for leaving me out of your great movie, Pheonix!"

Hardly throws more knives at it and it turns out she's a pretty bad shot.
Cut to Gotham apparently half on fire and what could be Montoya sashaying towards the flames.

Only a split second mind. Who cares what new catastrophe has befallen Gotham now because HARDLY HAS BOYFRIEND TWUBBLES!
'Need a new start but as it turns out I wasn't the only gal in Gotham looking for emancipation.'

**Black Canary intensifies**

Suicide Squad New52 #22 - Death and Destruction in Sin City!

Sept 2013
Writer: Ales Kot
Artist: Patrick Zircher
Colours: Jason Keith
"Light at the End of the Tunnel"

This is one of the first issues of New52 Suicide Squad that I reviewed back before I had my current format. If you'd like to read my baby blogger prattle, you can click here - otherwise I'll put the highlights in red text if needed.

Alright, so, if you recall last time the Squad had a mini revolution and have now come to work better as a team and there's a lot less yelling 'DAMN YOU WALLER!" and in it's place, more work enjoyments. Like Las Vegas holidays!

I mentioned the cover before so there's not much more to be said apart from - while I do like the aesthetic.... I can't get past Harley's concave and malnourished looking torso. Deadshot should not be front and centre, he looks awful! It's like he took a time out to swear an oath and in the meantime, someone took a shitty sketch of him and photo-shopped it in badly. King Shark - well, I only just now noticed he has human heads in his arms. Sure, in hindsight it's pretty bad that I missed this but I could only see his freaky feet.

Right into it this time, the Squad are in Nevada because of some vague Intel about someone about to use mass hypnosis for some nefarious purpose. I mean, it's always nefarious isn't it? No one ever brainwashes crowds to start doing line dances or the world's best Mexican Wave, do they? When will this discrimination end???

Panning over Vegas there's some tourist information helpfully posted around Jnr being smacked down by Waller. Someones doing some hypnotism and they've gotta be stopped! Again, not uncommon in Vegas. The source is confidential!! Or hasn't been written in or thought about much. Again, not uncommon in Ve-. Suicide Squad. 

Anyway, Waller tells Jnr to shut up again while Deadshot and Harley gamble in disguise. That is to say, Deadshot gambles like an ordinary person while Harley clings to him in over sized gauntlets and aforementioned clown whore. She also spouts things such as 'Like a boss!' and 'tiger blood' which is a reference so dated it took me a moment to place it. When were these comics written?! 

Naturally as only one of them blends in with the ordinary folk and the other looks like the serial murderer as seen over the news a while ago, a security person at the casino asks them to come with him. Have they been cheating? Winning too much? I couldn't say, it's the first freaking panel and they're already being escorted out!

Actually, even though we only have two panels it doesn't really seem like Deadshot is gambling at all. Still, I kinda like the cinematic pan over those two panels. Harley really didn't go into too much effort to change her costume but I do kinda like the head-dress and grape earrings. I'm going to enjoy this possible throw back to her love of grape soda, and ignore the pink fluffy things on her arms that possibly foreshadow her transition to pink and blue nightmare. 

Justice League vs Suicide Squad #2

Cover shows us the new team teased at the end of issue one.
They all seem like lesser known people with Lobo planted right and centre to garner some interest.


Variants aren't that exciting. Oh wait, talk about your versus battles, it's my favourite Harley Quinn solo team versus the my loathed Harley Quinn solo team!
Isn't it funny how both of them do the same thing but one is just instinctively more crap?

Both cover sequences take place in the same empty void apparently. Did the industry run out of background artists?

So, Conner has Enchantress striking a ditzy pose, she's upset and looking like she gotta pee but has to stop Ballerina Superman from bro-fisting her first. Her feet are clearly on the floor but there's no floor there, and it's not exactly Superman's style to freakin' plow drive opponents into the ground unless they're like Doomsday or something. In fact, knowing his weakness to magic, why would he engage in close quarters combat instead of trying to take her out from a distance with like freeze breath or something? Only compliment I can really give this cover is that Enchantress' outfit looks okay.

The Dodson's take has Enchantress at least looking like she's about to strike at Superman, she looks controlled and calm, Superman on the other hand looks cautious, like he's not sure about engaging this magic user. Dodson's do capes so much better... they actually look like real fabric, interacting with the wind in this featureless void..... I like that Enchantress has occult symbols appearing with her magic. Only critique would be that Superman's either really bendy or he's missing a leg.

Right, so the actual comic. Turns out, Waller has a perfect view of the money shot here on this random island. I think there are only like, five characters with their feet on the ground here.
They're all actually fighting and have all paired off.

Also Waller has injured her best pointing finger somehow.

Perspective... that ain't it, Chief. 

Harley Quinn & Poison Ivy #1

Here it is.

Honestly I wasn't sure what to expect from this comic because the previous taglines were all "Harley and Ivy explore their relationship post Sanctuary" - which can mean a lot of things but my first thought was "pleasedon'tbelikethepalmiottoconnerharleyivyrelationshippleasepleaseplease" because there is no faster buzzkill than my two of my favourite fictional criminals sitting around calling each other pet names, talking about feelings and scheduling spa dates.

Also, the first promo didn't grab my eye.. I wasn't keen on Ivy's 'green variant of female titan' look, and the angle for Harley wasn't especially flattering, and I wasn't excited about the predictable antagonist... although I did like the direct approach of it by having them dance around a map literally between their destinations. The cover they used appeals to me so much more.. although I question why it matters to watch the road when everything's on fire but that's just me.

As you may have guessed, there are quite a few variants so we'll go through them at the end so as not to take up the entire review.


So, what's it all about, really?

Harley Quinn and Poison Ivy are taking their show on the road in this new miniseries! They’ll have to evade villains and heroes alike while they explore their relationship and unpack their time and experiences at Sanctuary. Set after the events of HEROES IN CRISIS and smack in the middle of “Year of the Villain,” it’s a journey across the DC Universe that will change their friendship forever... if they live that long!

"Pushing Daisies"

Sept 2019

Writer: Jody Houser

Pencils: Adriana Melo

Inks: Mark Morales
Colours: Hi-Fi

Cover: Mikel Janin

Okay... so it's a mini-series capitalising off the name of a prior popular series smack bang in the middle of two events? Wow, I'm cynical. Let's check it out. 

Batgirl #18 'O, Harley Night!'

Judging by the snow and the red and green coloured title, it's already going to be an American Christmas. Why did I specify that? Because I'm English, but now live in Australia.. where the concept of it snowing at Christmas, which is generally the meltiest time of the year but it's because the heat soars higher than any sleigh, and the drops falling are just filthy sweat... not snow.

There is a reason why we amend our Santas to look like this;

for if we don't... THEY SUFFER FROM OVERHEATING. 

So the general or popular opinion that you have to be buried in ten feet of snow for it to be actually Christmas gets a bit grating at times but yeah, sure, it's set in American and it's comics so sure. Ok.

But of course - our Harley is still running around wearing her usual outfit and ... a scarf?
Like - OH NO, It's cold! Better wear a scarf with fluffy boots and not like... do my jacket up or.. heaven forbid, wear pants or something covering my midriff!

She also adds purple and green leggings to her already horrible mish mash of red/black/pink/blue. Why? Who knows. Also not a massive fan of the change of Batgirl costume. I know - I'm behind the times there and it does seem to suit her more youthful appeal but you just can't beat the classics.
Also, how did Harley beat Batgirl to the point where she's just casually looking up at this arse clown while her back is surely breaking? And that my friends, is a 'too soon' for me moment.

Variant cover is alright, Harley is channelling Joker in the face but it's still better than wearing a band-aid on her mug like in cover one. At least here she commits to the Christmas theme and goes full red and green - even though she's wearing booty shorts, at least her jumper is done up and she's wearing warm gloves. The jingle bell belt is nice and I approve of the pigtail fluffy scrunchies and the the British looking old school lamps in the snow, however it seems like Batgirl was drawn by a different artist? And why is her hair made of spray paint? Still, the little gift-bomb is a nice touch.

So - why is this happening?  Let's have a look.

DC Universe: Harley Quinn #61

Writer: Sam Humphries
Artist: Otto Schmidt
Cover: Guillem March and Arif Prianto
Variant: Frank Cho and Sabine Rich


I feel like with Stranger Things Season 3 coming out again, the
pop culture popularisation of D&D has risen up again, and none more so with this unnamed rip-off in Harley Quinn.

Which is fine - I'm not bagging the game out, I've never actually played it but kinda want to after Bender's Game and Community TBH - but it's hard enough getting people together these days to play a simple board game let alone have them sit down and be tormented with my overzealous imagination for possibly hours on end.

My point being... I have a terrible feeling I know exactly whats's going to happen in this issue and how it's going to end without even reading it.

I also have terrible feelings about the cover.. Harley's head is straight on but one of her ears has begun to sink down? Why are her boobs misshapen? Has she got marbles on her collar? Her belts are higher than my ambition in life and her abs - so corpse-like - are deader looking than most of my dreams.
Things I do like - the medieval themed pop-gun, the hyenas and the diamond pattern tights.
Catwoman looks great, and I like her cat head emblem, but have no idea what's keeping it there when she's tipped over like that.

Variant cover... I feel like I've seen this almost exact picture of Harley before, but with a jack in the box. It's okay, but seems a bit lazy and predictable.

Alright, so my predictions are that Harley will either dream that she's in the game, or she will physically enter the game because it's one of her trials. Once there, she'll meet some bastardised versions of her Gotham friends, spout of a bunch of current baloney at them or otherwise fail to realise she's in a different world/universe/dimension so she will carry on like a porkchop, wonder why her modern conveniences or slang aren't known and emphatically deny that she's the crazy one.
She will pass her trial without actually learning anything and will probably hit a lot of things with a medieval weapon.

So, let's see how we go.

Comic opens on Harley and Tina visiting Selina - the premise is that they're here to help with her recent heartbreak (Batcat wedding) but in doing so, they basically ignore what Selina actually wants to do in lieu of playing a random game (Knights and Knavery?) that Harley got from some random demonic lady in a two second flashback that everyone seems to conveniently ignore.
Well, we're off to a great start.

Plus the art is playing loose and fast with both spaghetti bodies and dipping a toe into what looks like imitation/Americanised anime?
Not really sure how else to describe this but it looks ten times worse to have an elongated neon cat vampire Harley given the photo realistic Rosie the Riveter in the background and the gorgeous looking Catwoman.

......also..... is that Selina's Bat-plushie or did Harley bring that to 'cheer' up Selina, even though she shushes Tina from even mentioning the Bat later?

Retro Reviews: Harley Quinn #20 Wouldn't be Caught Dead There!

Last issue, our dominoed dame was the victim of an exploding, stolen jet-pak incident. The Dodson's cover is eye catching - just Harley falling, her terrified face looking back up as she drops into a black void.

July 2002

When this comic first came out, I admit that this story got me. I was like - wait... Harley's a comic character. She can't just die! What-what-what?!
Had only just become a fan, the comic had only recently started, the internet - well, it did exist in my life but certainly not to the extent it does now. Like, I was on MSN, Myspace, college sites and some fan sites for animated series. I didn't have the comic resources I do now. Back then, finding useful information about Harley Quinn on teh interwebs was about as rare as unicorn crap. Wow, there's a redundant comparison as these days unicorn crap is actively marketed and purchasable in mainstream stores.

I'm also a bit wiser about how often comic characters shuffle off their papery mortal coil only to mysteriously pop up again on the other side when it suits the writers. In saying that, I do quite like this afterlife special. Just like Harley herself, she doesn't follow the trend or do exactly what you'd expect of this kind of story, which makes for an interesting and unique run.

The actual story continues on from the cover, something I recently complimented in Gotham City Sirens, I just really enjoy the transition when done right. Really can't stand the overt, fourth wall breaking ones that somehow take you out of the experience.

Anyway, after a fairly rough landing onto her back, Harley stares up wide eyed as Lewis talks to her. Yes, THAT LEWIS. He warns her away from the windows because the police have a sniper outside. Harley is so overjoyed to see Lewis that she misses Nixon Two-Bear's snarky comment about how "She never missed him before." Ruh-oh.