Harley Quinn: Make 'Em Laugh #1

2020
Writer: Mark Russell
Artist: Laura Braga
Colours: Luis Guerrero
Cover: Andrew Robinson

It’s hard out there for a freelancer! Looking to make some quick cash, Harley takes on odd jobs in her many wheelhouses—therapising bad guys, tracking down stolen art from the Gotham Art Museum...but when it turns out the thief has his own mental baggage to unpack, Harley’s got a real Thinker on her hands!


First things - not sure why this series is called 'make 'em laugh' and honestly I thought the sub title of 'Head Shrink' meant that this story was going to be about Harley seeing patients all day.

Gotta say, when I saw yet another Harley title I did get a bit aggro about it. I mean, it's really over kill at this point. Plus the cover did not grab me at all - Clayface is hyper-realistic but Harley doesn't match that at all, looking like a rough sketch with weird stick arms and severe Miley Cyrus tongue. The background is juvenile looking with the stars and visual onomatopoeia. I've seen worse covers but this one is a bit mismatched. Apart from that, I do like the poses and Clayface does look good.

Thankfully the interior art is beautiful - it's detailed, proportioned, the colours are amazing and the people all gesture, move and look like.. well, people! And this artist is Braga - who I previously panned for the weird art, backgrounds, poses and faces in Harley and Ivy meet Betty and Veronica. Well, what a damn turn around! You go girl!

However, the best part of the book is actually Harley. More on that later, let's have a look at the story.

Harley is using her psychiatry skills to pay the bills but is also taking up freelance work, like looking into an art thief for the Gotham Metropolitan Museum of Art. I like that the museum staff aren't too sure - one outright suggests this is crazy and Harley could even be responsible for the crime, the other doesn't seem to mind Harley too much but admits they're desperate. This is a nice change because when Harley did this freelance lark in her solo series it was either Harley forcing her way onto jobs and solving everything with violence or people being so far up her butt they couldn't tell she was the worst person they could have hired.

Gotham City Sirens #10 - Taking Sides

This is one of my favourite Gotham City Sirens covers ever. Even though it's got a rather dark palette, it still manages to be kind of pastel. At first glance you could mistake the poses for generic, over posed comic book fare, or something right out of a James Bond poster but the poses are so in character, it's great. Ivy frolicking around her garden, tending to one of her many plants. Harley looks like she's stretching before jumping into some crazy gymnastics move, and Catwoman is stood there like why am I with these people again?

I also quite like the crossword puzzle aesthetic, tying it into the inclusion of the Riddler.

When we last left off with the Gotham City Sirens, Edward Nigma had been helping them solve a murder they were seemingly being framed for, and had now found himself into some hot water as a result.

Luckily, our antagonist Dr. Aesop likes to monologue - maybe not surprising for someone who stole their name from the famous fables author - and between Riddler's deductions and Dr. Aesop's explanations the whole story comes out. Our Sirens are listening in from the skylight and it's revealed they were using Nigma the whole time.


Harley at least has the decency to feel bad about it, Ivy couldn't give a plant fertiliser and Selina is somewhere in between - doesn't really care but also doesn't want Eddie to get hurt because of it.

Gotham City Sirens #9 - Pieces of the Puzzle

I love the detective noir style cover already but it just gets better when you turn the page and the scene continues - as if you're Nygma opening the office door and entering the room/ scene. 

Correctly deducing that the Sirens aren't here for tea and niceties,  he gets down to the thick of it. The Sirens have found a corpse,  or rather they have each witnessed the victim in varying stages of life and death.

Harley volunteers to give her recollection first so we get treated to an amazing run down of her day,  which begins with cartoons, exercise and keyboard battles then ends with a dead body smashing through their skylight and ruining Harley's swim.

Ivy had just got back from a job interview when she sees the body enter the pool. Selina on the other hand had been for a medical check-up post Hush then a quick spar with Wildcat. When she hands home via rooftop she sees the body fall from the sky - muttering "doctor..." - so she dives after her and ends up heading into the pool as well.

Nygma is equal parts exasperated with the Sirens and intrigued by the mystery so he resolves to check it out. At first glance it appears like the Sirens have attached the victim and left their trademarks on her body.  There is a vine around the neck but it's not one of Ivy's usual hybrids but a common plant.  The clown make up smeared on her face is cheap pharmacy brand stuff and not Harley's theatrical quality style. Claw marks that couldn't have come from Selina's gloves but rather a real animal.

Top 10 Weirdest Harley Quinn Ships Pt 2

Hey - remember that video I just covered on Harley Quinn ships?
Remember how I mentioned some big names that I thought would have been in there for sure?
Remember how I mentioned these videos would be scraping the barrel?

Yeaaaaah.... about that. There's a part 2.

Soo.... this one is the same channel but has a different presenter and she objects to the term weird ships. But see.. these are weird ships. Half of them are people just saying "Well, person A and person B BOTH exist in this video game universe/unrelated movie franchises/comic books as a whole - LET'S SHIP THEM!!"

I understand her aversion to people crapping on fanships.. but the whole idea of fanships, surely.. is that there is SOMETHING there, some kind of sign, a look, a compatibility that then sparks the flames of a romance.. or at least something similar in the hearts and hopes of fans.

For example - Taiora from Digimon Adventure.

This one is my own weakness, I'll admit. While I appreciated the friendship these two had, my little heart thought they could be so much more. They understood each other, they trusted each other, they genuinely cared for each other, they were cute together and they both knew what needed to be done even though they had different ways of going about it.

So when Digimon Adventure 2 snuck in a romance between Sora and Matt (Sorato) I was horrified. These two barely had much to do with each other in the first season apart from being physically attacked by depression then getting over it fast. Matt was constantly too cool for school, had the crest of friendship but was always either snarking at or physically attacking his 'friends' and hey, remember that time the abandoned his really young brother in the Digiworld? I sure as heck do! He did it again later as well. Sora never seemed the type to moon over a "rockstar/astronaut" wannabe (that was so stupid) and I especially don't see her (who is generally the 'mom' of the group) putting up with someone who doesn't care about his own family. It was just weird, especially when they pumped out some clone children with the exact same Digimon as their parents. Umm.

Then we got Digimon Tri where they're always putting Sora in the middle of a Tai/Matt situation and forgetting she's a person too, who may or may not have her own life/hobbies. Maybe.

After all - Sora's relationship woes were just getting in the way of the biggest ship in Tri.

credit

I may have gotten off topic there but what I was trying to say was people either saw points for both Taiora and Sorato, or both. However, there was reasoning behind it and there were definite, deliberate parallels between Tai and Matt. People weren't just shipping Sora with say, Ken or Gennai just because they "happen" to inhabit the same universe.

Although there probably is a ship for that now. Thanks, internet!

Gotham City Sirens #8

March 2010
Plot/art: Guillem March
Dialogue: Marc Andreyko
Colours: Tomeu Morey

What better time to get back into Gotham City Sirens - and an Ivy-centric issue to boot - after reading about the lobotomised, bland, green place holder in the last review and the recent dramas I had in the comic store.
Givin' me the heebie jeebies just thinkin' about it. Even more so than opening up to the severely emaciated and shrivelled up form of Poison Ivy.

Jump cut to two weeks prior, showing Pam as beautiful as she is vengeful and deadly. Scorning the humans for doing things in her park. No, not THOSE things.. (that we know of, anyway) but rather children pulling up daisies, dudes thinking about their chances with her, people daring to exercise or sit on a bench.

Just imagine this face looking at you... it'll shave seconds off your run time!

Now as much as this is about Ivy's time in the spotlight, the issue shows us what's really happening within the team as a whole.

This scene for example. One look and you might think, oh that Harley, buying random shit in her name and having it delivered to their hideout?? What a card!

What we're really seeing is Selina not only ticked off at the breach of security.. but Harley's lounging on the couch watching TV, Ivy is nowhere to be seen until the last panel and Selina is picking up the slack in the kitchen. This hideout is a tinder box and it's about to explode.

The spark comes from Ivy strolling in from her saunter about Robinson Park at the same time a plant related murder that happened there is being reported on the news. 

Detective Comics #837 - Honour Among Thieves

Countdown tie-in
Dec 2007
Writer: Paul Dini
Pencils: Don Kramer
Inker: Wayne Faucher

Hot off the heels of Harley's previous release from Arkham incarceration is Detective Comics #837!

We open on the Riddler lamenting being a bit on the poor side since going legitimate but still loving the thrill of the investigation/lifestyle. The thing I like about Dini's writing is that - as well as being witty and entertaining - he genuinely seems to care for the characters he writes.

Riddler going legitimate could have been the corniest shit from the cob in anyone else's hands but here you are invested. You *want* him to do well as you see him struggling yet resisting the obvious pull back into the criminal lifestyle.

You can say the same for Harley. Dini is the best writer for her, apart from perhaps the Injustice guy. In this one book, she deals with going legitimate as well, finding her own way solo, running a team and taking down the bad guys.. and she does it with humour and without losing any of the charm that made us all Harley Quinn fans. Best of all, you get her accent without being drowned in a vat of marble mouthed exaggerations of English.

Bruce Wayne offers Riddler a gig which he readily accepts. It's to find a missing employee who seems to have absconded with a new drug that affects stamina and cellular regeneration. This gig leads him out of Gotham and into Metropolis and into the Athenian Women's Help shelter... from which he readily gets kicked out of courtesy of everyone's favourite reformed jester.

Told you. 

Yep, like the last Detective Comics issue I reviewed (here) it's another villain cross-over/team up, only this time they're both reformed.

Harley still has her trademark pigtails but has traded in her jumpsuit and prison trackies for an Amazonian stola/robe. She hasn't quite got a hang on the peaceful Amazon way though.

Porn Parody - Harley Quinn and the Suicide Squad

It's a fact and a law - if it exists, you can find porn for it.
There's another factor in here as well... and that's if it makes money, there's probably a porn parody out there.

Is this a bad thing? No, I don't think so. Obviously adult entertainers have to make bread, parodies are usually worth a watch.. hell, I prefer musical parody acts like Weird Al and Youtube based group The Key of Awesome to most of the original songs they're copying.

This above image has been a popular meme and for good reason - you wouldn't expect the adult entertainment version to look more like the original than the Hollywood version, but here we get that. It makes sense, because obviously in the adult version they're selling a fantasy.. but.. isn't that what the movie industry version is for as well? 

Don't they market to us with sex appeal and power fantasies? Especially in superhero themed products? If so.. how did they drop the ball so hard with Suicide Squad's costuming?

While porn 'stories' are often ridiculed for their cheesy or contrived plot lines that always culminate in sex.. you have to think.. is the original material they're doing any different really.. except maybe more censored?

Said no one ever

So let's check out the Axel Braun porn parody of Suicide Squad - and how it compares to the failed movie Suicide Squad by a different jerk off. Ironically.

Elseworlds: Batman - Thrillkiller

Published: 1998 

Writer: Howard Chaykin

Art: Don Brereton

Letters: Bill Oakley

Originally published as three single issues in the name of Thrillkiller '62, this collected volumes remains my favourite Elseworlds story and one of my better Batman related stories.

If the name didn't give it away, it's set in 1961 for the first part and then 1962. We're introduced to two vigilantes, Batgirl and Robin who seem to always show up wherever dirty cops make an appearance.

The art is pretty unique, dramatic and although it's more reminiscent of painted posters there's a definite feel of movement in it which is something that most modern artists fail to capture.

Batgirl has an exposed midriff but she's not oversexualised. Her physique and strength is the focus even though she's defined as so gorgeous she could give showgirls a run for their money.

This is something else most modern comic artists suck at portraying.

In case you're not familiar with it - the entire Elseworlds concept is to take existing characters and put them in different settings for a standalone story. For example, Gotham by Gaslight features a version of Batman that chases down Jack the Ripper.


So in this incarnation, Batgirl is the main hero with Robin as her sidekick. Her father is still the commissioner while Bruce Wayne - having lost all his families money in the depression has since found work in the GCPD.

Naturally, the world's greatest detective in bat ears is good at his job but never quite fits in with the others but gets along with and respects Jim.

Gotham City Sirens #3

Forgetting how weird I think those turn over heeled boots look on Harley Quinn.. this cover is ace. It sets a sort of Bond girls sort of look, we can see Harley's leg, Ivy is posing looking back at us like we're useless sacks of meat and Catwoman's whip is strewn all over the place. They've got a clear colour scheme going on. The logo of the comic flows over the figures like it's being projected in the sky, Bat-signal style and the question marks in the background give a clever (heh heh) nod to the special guest without being too on the nose.

Speaking of - here he is. Dead.

There's a lot of dialogue boxes here, from the 'current' not Bruce Wayne Batman. They explain why the Riddler was a massive pain in the ass crime wise but that he was gone now.

Clarity awaits on the next page, when we're told that Edward Nygma is still alive, kicking and presumably a whizz at puzzles.

Turns out Eddie has been trying to solve a tricky case in his new guise at private investigator.

His rude interruption arrives in the form of two out of three of the Sirens - Ivy and Catwoman who are understandably concerned because Harley is missing.

Eddie has been a bit focused on his case that he's been almost gleefully ignoring the sirens but when asked directly he bluntly replies, airing his grievances about being kidnapped and brainwashed himself and the sirens were either directly responsible or did little or nothing to help him.

Eddie realises that the murderer is leaving clues to their next murder on the bodies of the previous victim.