Harley Quinn: Make 'Em Laugh #1

2020
Writer: Mark Russell
Artist: Laura Braga
Colours: Luis Guerrero
Cover: Andrew Robinson

It’s hard out there for a freelancer! Looking to make some quick cash, Harley takes on odd jobs in her many wheelhouses—therapising bad guys, tracking down stolen art from the Gotham Art Museum...but when it turns out the thief has his own mental baggage to unpack, Harley’s got a real Thinker on her hands!


First things - not sure why this series is called 'make 'em laugh' and honestly I thought the sub title of 'Head Shrink' meant that this story was going to be about Harley seeing patients all day.

Gotta say, when I saw yet another Harley title I did get a bit aggro about it. I mean, it's really over kill at this point. Plus the cover did not grab me at all - Clayface is hyper-realistic but Harley doesn't match that at all, looking like a rough sketch with weird stick arms and severe Miley Cyrus tongue. The background is juvenile looking with the stars and visual onomatopoeia. I've seen worse covers but this one is a bit mismatched. Apart from that, I do like the poses and Clayface does look good.

Thankfully the interior art is beautiful - it's detailed, proportioned, the colours are amazing and the people all gesture, move and look like.. well, people! And this artist is Braga - who I previously panned for the weird art, backgrounds, poses and faces in Harley and Ivy meet Betty and Veronica. Well, what a damn turn around! You go girl!

However, the best part of the book is actually Harley. More on that later, let's have a look at the story.

Harley is using her psychiatry skills to pay the bills but is also taking up freelance work, like looking into an art thief for the Gotham Metropolitan Museum of Art. I like that the museum staff aren't too sure - one outright suggests this is crazy and Harley could even be responsible for the crime, the other doesn't seem to mind Harley too much but admits they're desperate. This is a nice change because when Harley did this freelance lark in her solo series it was either Harley forcing her way onto jobs and solving everything with violence or people being so far up her butt they couldn't tell she was the worst person they could have hired.

Birds of Prey: Sirens of Justice #1

Not content with her own comic empire, a successful Gotham City Sirens run and a miserable attempt to encroach on the Birds of Prey universe via cinematic vomit, DC has decided to combine all three of these elements to make this Birds of Prey: Sirens of Justice - The inclusion of one Harley Quinn.

Sigh.

At least going from the cover art and the involvement of one Gail Simone, this should be better than that hideous movie-comic tie-in we had before.

Fight or Flight
May 2020
Writer: Simone
Cover: Lupacchino and McCaig
Interiors art: Miranda

As much as this cover is actually visually appealing - I'm a bit concerned that Harley is basically wearing as knock off version of Canary's outfit. Remember that old design guideline where it was basically law for any TV show/movie/comic etc that had more than one female, that they all had to wear a different style top etc? Anime fans would be familiar with uniformed school girls having extremely varied socks - same kinda thing.

They even go as far as to include fishnets on Harley's get up though - like.. a blonde wearing fingerless gloves, jacket, booty shorts with the same belt, fishnets and then the matching mid-calf black boots? COME ON. That job's been taken already!

I really wish they had taken a page from some of the other outfits Harley has worn, like Arkham City, Assault on Arkham, Gotham City Garage, Joker TPB, Injustice and even the rare Suicide Squad where she has pants and a functional looking outfit..


The interior art is  very much a step below the cover. I'm not really a fan of Miranda's art. At least here there is a bit more to differentiate Harley and Canary, although I stand by my previous comments about Harley needing a better outfit because she looks ridiculously out of place compared to the people she's with, to the extend someone could have poorly photo-shopped her in.
The background work is very nice though, so points for that.

Happy about Simone being back in the saddle - her dialogue between the Birds seems natural and fits their respective personalities, plus her Harley sounds less like an inbred hick and more like someone who genuinely has a bit of an accent/dialect.

My first issue with this first issue though is that it opens on "Later. Ten blocks away and thirty stories up..." which could work for the intrigue aspect but it just happens way too often in comics. Like, flitting between then and now is fine, but didn't we used to just have the comic open and THEN have the later/earlier sequence pop up? This reeks of Conner/Palmiotti. Ugh.

Next issue is immediate.
Harley Quinn is making all the decisions for a team she's not even in and everyone else just goes with it, while making vague comments about her mental capacity.

Batman: The Dark Prince Charming #1

I've been wanting to do this review for a while, basically since I heard it existed.

Jan 2018
Story and art by Enrico Marini

I'm a big fan of people who write and create/draw their own visions. So many Manga stars do this, and just have a crew to help with backgrounds and inks etc. I mean, not wanting to kick people who can't draw, because on the other hand some people who can draw can't write the story or can't do the inking or colours. But it's like - when someone writes the story, then goes and makes it - you're seeing exactly what they envisioned with the story.

Plus it's a standalone story with a new version of Joker and Harley Quinn. Wait, that doesn't sound like me recently. Wasn't I sick of all the conflicting versions of Harley? Yes. This is true. But, back in my early fandom this sort of thing was exciting. It was cool to go from the Harley Quinn in BTAS
to the blood soaked, unforeseen psychosis of Thrillkiller Harley. Later on or I guess more recently - I would say the same thing about the stupid solo version of Harley and then latching onto the Injustice version for sweet relief.

Also the detail in this scene is amazing... and the subject matter quite terrifying.

Opening on a little girl in a dodgy looking basement. Oh, well, that's mean. The basement is quite nice for a basement and looks functional as hell, but it's not the kind of basement a young girl would like to be in by herself after being kidnapped. That's what I'm saying. Especially when the Joker is coming down the stairs. In Gotham. I mean, you don't wanna be in Gotham at the best of times but yeah, this, this is not that time.

It's not even safe in stately Wayne Manor. First Bruce gets a suspicious gift decked out in Joker colours, then he has to go and stop a clown robbery.

On the plus side, Gotham has a nice selection of rooftops. 

Damn the art is nice in this. Also, The Joker is his own thing in this yet somehow a mix of what made him funny in BTAS, crazy like in the Joker standalone, in love with Harley like in White Knight and obsessed with Batman like.. well, like a lot of things he's been in.

Not one, not two, but three sex puns? Niiiice.

Side note - if you're driving a loaded semi in peak hour traffic in Gotham while reading a nudie magazine.... you kinda deserve to be hit by a clown with a bat hood ornament. Just saying.

DCeased #2

2/6
"The Monster Inside of Us All"
Writer: Tom Taylor
Pencils: Trevor Hairsine
Inks: Stefano Gaudiano
Colours: Rain Beredo

The ominous narration continues in this one, but doesn't do a thing to warn poor Aquaman not to open the door on the stricken cargo ship. In his defense, they do seem to be fast zombies. Gosh, I hate fast zombies. It's like... the slow ones are bad enough but at least you don't have to run like, allll the time. What is this, the Apocalypse Olympics? Damn.

Now Metropolis is on fire, and the Supersons and Superman are just chilling at their crib. They decide to head to the Daily Planet. Meanwhile, over in Gotham, Poison Ivy and Harley Quinn are also just chilling but in some dingy alley way. So, clearly journalism pays better than crime. Thanks for the morality lesson DC!

Here, Ivy is abusing the power of the green and hyping Harley up for something, but Harley is trying her best to weasel out of it. They don't exactly say what this task is so maybe the next page is... oh.

Look at that sweeeeet..... gaming set up. 

Oh, is this supposed to be the hideout he used in Death of the Family? Or is it a parody of Batman's computer set up? I don't mind that actually - either one. I DO mind the over the top self aware and stereotypical 'battered/downtrodden woman in a relationship' discussion here. Since when are they officially back together enough to split? And since when has Joker cared what anyone was thinking unless it benefited him? They seem to be making it into a relationship thing..

"Got a new vibe, who dis?"

Retro Reviews: Harley Quinn #20 Wouldn't be Caught Dead There!

Last issue, our dominoed dame was the victim of an exploding, stolen jet-pak incident. The Dodson's cover is eye catching - just Harley falling, her terrified face looking back up as she drops into a black void.

July 2002

When this comic first came out, I admit that this story got me. I was like - wait... Harley's a comic character. She can't just die! What-what-what?!
Had only just become a fan, the comic had only recently started, the internet - well, it did exist in my life but certainly not to the extent it does now. Like, I was on MSN, Myspace, college sites and some fan sites for animated series. I didn't have the comic resources I do now. Back then, finding useful information about Harley Quinn on teh interwebs was about as rare as unicorn crap. Wow, there's a redundant comparison as these days unicorn crap is actively marketed and purchasable in mainstream stores.

I'm also a bit wiser about how often comic characters shuffle off their papery mortal coil only to mysteriously pop up again on the other side when it suits the writers. In saying that, I do quite like this afterlife special. Just like Harley herself, she doesn't follow the trend or do exactly what you'd expect of this kind of story, which makes for an interesting and unique run.

The actual story continues on from the cover, something I recently complimented in Gotham City Sirens, I just really enjoy the transition when done right. Really can't stand the overt, fourth wall breaking ones that somehow take you out of the experience.

Anyway, after a fairly rough landing onto her back, Harley stares up wide eyed as Lewis talks to her. Yes, THAT LEWIS. He warns her away from the windows because the police have a sniper outside. Harley is so overjoyed to see Lewis that she misses Nixon Two-Bear's snarky comment about how "She never missed him before." Ruh-oh.

Birds of Prey Episode 5: Sins of the Mother

After all this talk of the Bird of Prey movie that at this point just seems to be a vehicle for Maggots instead of the story we deserve about the ACTUAL Birds of Prey, I just felt like watching something where even an alternate version of Harley Quinn is better than the mainstream garbage. 

Not pictured: Hollywood bimbos stinking up everything

So let's get into Episode 5 of Birds of Prey: Sins of the Mother.

Ahhh my CGI p0rn... how I have missed you.

Where was I? Oh right.. the inventively named New Gotham Station is our first stop, and also our first bad train pun on my behalf. But... who is this strange lady?

Well I'm guessing she's someone's mother from the title. I knew I should have gone to Detective School. Damn! A wasted opportunity!!!

Anyway, blonde lady glares at the city then puts on some dramatic sunglasses. After yelling "YEEEAAAAAH!" stalks off into the throng of unwashed masses wandering around the set. Immediately, a thug appears from stage right and makes a phone call. Like... was he just staring at her the whole time. He's not exactly inconspicuous. He makes a call from a bright sunny exterior into some musty, dusty, afternoon type lit room full of weapons and some dude in a suit.

Turns out our new lady friend has a price on her head. Musty Man (Fitz?) tries to tell some other guy about the new development but Sitting Down Clown only wants to instruct him on correct breathing techniques or something.

Pictured: My face when people try to get me into yoga

Harley Quinn and Gossamer - The Looney Tunes special

I didn't even know this guy had a name. He's kinda like Sweetums, from the Muppets. You know who it is but they're not a main character.

Wait - why is this a thing? They just did the Hanna Barbera cross overs, plus Archie... What's the next cash grab tie in gonna be?

Anyway, the main cover for this cross over no one probably needed is it's usual Conner schlock (her arms are about as long as her legs and her eyes look frickin' weird) but the variant by Quinones?

I've told you guys I love the Quinones Quinn? He's even got her in the costume she wore in the 25th Anniversary special!

Both in scenes from the actual comic but the variant looks a lot more natural and fun.

Harley Quinn/Gossamer - a Hairy Predicament!
Aug 2018

Synopsis:

A violent storm leaves a large crate washed up on the beach at Coney Island. When Harley breaks it open to see what’s inside, she suddenly has a new playmate to add to her cast of friends-a large, furry, orange beast called Gossamer. It’s all fun and games until a giant robot attacks them. But who sent it? Harley immediately suspects only one man, but is it really The Joker behind this destructive rampage?


Now this special is still written by Amanda Conner and Jimmy Palmiotti because apparently when you leave a project you can't actually leave it. I wish they would. Every issue they write is pretty much a personal affront to me. Although if they hate me as much as I hate their bland world and shitty characters.. well it explains a lot. What a vicious cycle.

Some things I noticed about this issue.. it's not as outright shit as much of this duo's crap normally is. I suspect DC felt the heavy hand of Warner Brothers/Looney Tunes here. That said, it's still pretty weird. For one thing, the opening shot is Harley sitting on a Joker head inflatable. The second thing is Coney Island's beach actually has clear waters. I've never been there, but I've heard enough jabs about it to know it's not exactly paradise.

Then....

Yeah... see, this is why I'm not a fan of the whole ship with Poison Ivy. I won't go into a rant about how she's about as good as the Joker is when looking for a spouse but even this lobotomised version of Poison Ivy is just.. ugh.

Okay. If I wanted to read a comic about relationships I'd go and find a romcom or a good manga.
Strangers in Paradise, Ranma 1/2, Fruits Basket, Rachel Rising.... I could go on.
I don't crack open a supervillain comic to read about some asshole sighing wistfully, catching ordinary civilian trains, making phone calls and making sure their apartment is okay.

Countdown 51-40

Now that we've been going back into the Detective Comics showing Harley hanging out with Holly at the Amazon shelters, it's high time we went back and had a look at Countdown. Countdown was another multi-comic event spanning 52 weeks but good luck finding a good synopsis for that amongst the hits you'll get for the New 52 comics.

Back in the day, I pretty much just collected the issues that Harley Quinn appeared in, comprehensive storyline be damned! I ended up buying the trades though because I thought the story was pretty cool and there were some interesting things going on, and for once the holy DC Trinity wasn't hogging all the spotlight. Which is kind of the point of the 52 Countdown... but anyway.

May 2007 - April 2008
AKA Countdown to Final Crisis

Synopsis:

The Great Disaster has occurred, and all hell breaks loose as all the story lines in COUNTDOWN TO FINAL CRISIS come to a climax, threatening Darkseid and Jimmy Olsen and Mary Marvel and the future of their Earth!

So we'll dip our toes in, running through the series but mostly looking at Harley Quinn's involvement because... well, it's a Harley Quinn blog you nitwit. Get with the program. I'll do a couple of issues per post. 

This one opens with Darkseid discussing depressing world views with Desaad and playing chess with  himself, figures of DC characters and apparently no rules. Fun analogy or sneaky advertising for merchandise? You decide! 

The first chess piece he moves is Duela Dent - AKA The Joker's Daughter. Her story was a big part of what I found interesting about this series and another reason why I was so disappointed with what the actual New 52 chose to do with her character. 

Here she is, appearing in 'flames' and honing in on her target, a young celebrity. After jumping out the window amidst explosions she tells Tracey to call her manager in order to fund Duela with some nonsequential greens or else she might just drop Tracey as they parachute over the city. 

Duela is cool, collected and slightly sassy. Jason Todd/Red Hood shoots a hole in her parachute and she has no hesitations about dropping Tracey to lighten the load but at least she does it politely. 

Naturally Jason stops her and saves Tracey. They get into a discussion about who belongs where in the grand scheme of things and how cool foreshadowing is, then Duela name drops some people before running off. 

Meanwhile we pop into the hospital where a powerless Mary Batson nee Marvel is leaving. She finds out Billy Batson has paid her medical costs and left her a note saying not to find him, which I guess is like a health care one night stand, so she's a little cut. 

Heatwave is regretting not installing a peep hole in his door but lets Trickster in anyway. He suspects the pretzels are booby trapped so he destroys them but it was in fact the beer. So now there's no beer and no pretzels. Not a good start to a party. Plus Heatwave's pants are ruined!

Batman: White Knight #1

Finally, I'm getting around to reviewing Batman: White Knight!
You may recall I did some similar blogs about Harley Quinn and her roles in this a bit earlier last year.

The covers here are nice, Joker and Harley in nice evening wear.. looking quite civil. The only throwback to their glory days of crime is Joker's purple/green tie and Harley's diamond motif. He's not even smiling but there is a horrifically eye catching Joker face at the bottom if you found yourself missing that. The alternate cover is black and white (geddit?) and while they're more of a focus on Batman and his proteges, Joker (and Harley?) still appear at the bottom. There's even a little logo for them, three diamonds and a rosette. More on that later.


Oh, you want more? Well here's another cover, summing up the theme of the comic a bit more than the other two.

The issue opens up mostly silent as we watch the Batmobile make it's way up to Arkham Asylum. Once there, the guards offer to take him in but Batman states he knows his way around. Visiting a particular cell we see.... wait.. Batman chained up?! And the Joker come to visit?!

WHAT A TWIST!!

What's even happening, I hear you say? Well, let's go back, one year ago, to the innocent days where a skateboarding Joker and a terrifyingly determined Batman trying his best to run him down was the status quo. Yeah, you read that right.

Some strange costumes here - the T-shirt and suspenders thing I could actually see Jared Leto's Joker wearing but Batgirl (even though she's the voice of reason here) fighting crime in a T-shirt is just downright bizarre.

Wait nevermind, it's actually long gloves not bare skin.

Nightwing has to save a random construction worker and tells Batgirl to get a tighter grip on Batman despite her protests.

We don't hear much from Batman himself, he leaves to follow Joker solo on foot - mowing down a trying-to-be-helpful guard on the way.

Retro Review: Joker/Mask #1

Published in 2000

Story: Henry Gilroy and Ronnie del Carmen

Pencils: Ramon F. Bachs

Inker: Howard M. Shum

Colours: Dave McCaig

Letters: Steve Dutro

Cover: Ramon F. Bachs

This is one of my favourite DC cross overs. I love Harley Quinn, I really enjoyed The Mask movie.. I came to learn that the comic wasn't very close in nature to the movie adaption at all but I still enjoy it.

Now this particular comic is a nice mix of Jim Carey style Mask and the more relationshippy Joker and Harley - kind of like how they were written in their visit to Metropolis to poke fun at another bald guy in a suit. 

Gotham's first mistake was holding an event. No, it doesn't matter that it's at the Gotham City Museum of Art, or that it's a kid's night or even an exhibition about masks... any exhibition or event in Gotham is basically a gilded invitation to any criminal scum in the area.

You think I'm kidding? Man, Penguin turned up to the opening of a new pet store, someone opened a new pack of cards, there was the Riddler and Catwoman was seen at an envelope opening.....

They're out of control man.

Anyway, here's the titular Mask making an appearance, along with.....

Harley, Joker and Snucky! Wait, Snucky? Who's that? Apparently an aspiring pro-football player in Joker's gang and the only one to make it to the museum instead of the mausoleum.
As it turns out, Joker is here not to steal masks or because he knows what power The Mask holds -  no, he wants to destroy the collection of frowny clown masks.

Harley and Ivy meet Betty and Veronica #5

Almost at the end now. Last issue was basically just filled with tweenage shenanigans instead of the initial plot they were trying to run with so hopefully this one will remember the whole purpose to this stupid cross over and get with the program.

Ooh, look, they managed to put out a cover that DOESN'T involve cheerleaders in any major way! *

*There still is a cheerleader costume here but it's not the focus point. 






I'm probably jaded but the second cover is just making ME think of road safety regulations. I'm also wondering why Harley is not the one driving. Probably so she can show off her thong more.
Yeah, didn't we get quite enough of that in the Rocksteady Arkham-verse?



Anyway, these covers are the best we've had for a while in this series, even if Archie is crammed in there like 'totally still in this comic guys! please buy it!' and Hartly and Ronivy are just.. shoved in as an after thought shaped like a stinky fart. It's a bit bizarre.

(It also looks like they're running from a bunch of goblins shooting stars at them?)

Especially when - yup - these are adult women in teenage bodies mackin' on some teenage boy.
Archie looks uncomfortable... everyone should feel uncomfortable about this. That said, the eyes are nice on that cover, in a lifeless kind of way.

Also - brush your hair Ivyca, you feral.

Birds of Prey Episode 3: Prey for the Hunter

We open on Oracle and Huntress having some girl time... sassy chats in the earpiece while Huntress punches some creepy acid tongue lizard thief guy..... Wow that's pretty specific.
Anyway, Huntress is bemoaning not being normal, that bad guys keep ruining her outfits and the victims aren't even worth helping. Ouch. Bad day much?

Not as bad as her perp's. For one thing, he's got that acid tongue thing going on, then he gets punched a lot, doesn't get to keep his stolen wares, is thrown in a dumpster, and then something else throws him OUT of the dumpster giving him a wicked boo boo in the process.



Meanwhile in our CGI cop shop, a new transfer from Bludhaven does a meet and greet with Reese. Turns out he's chasing a serial killer who never uses the same method twice.

Reese takes on his Mulder Jr. and they decide to take down this freaky deaky killer gorilla. After the shortest working day in history, Reese heads out onto the street where he is promptly scared shitless by Huntress jumping down five storeys in front of him.


Huntress tries out her 'I saved your life, you owe me confidential investigation details' but gets shot down pretty fast. They both have a mini temper tantrum with Huntress vanishing and Reese blatantly jaywalking into traffic playing chicken.

Meanwhile back at the Clocktower, Barbara finds out that the perp was killed via his own acid.

As far as they're aware Metas mostly always have different powers (must not have any knock-offs or sidekicks in this universe then) so they decide to have Helena question some mysterious guy in No Man's Land.

Dinah wants to go too but Barbara denies this request saying not on a school night but here's the address anyway!

Suicide Squad New 52 #7

This is another issue I reviewed back in the day under my original blog. If you're interested, you can check it out here. What, you haven't got time nor inclination? Well fear not, here's the into to it which I feel aptly sums up what I thought about the cover.

Suicide Squad Seven - The Alliterating Issue
Yes, it’s that time of the month again, so dig out your hot pants, get ready to storm Gotham PD and grab that skinned off Joker face because it’s the SUICIDE SQUAD #7 REVIEW!

Assuming I read like a normal person, let’s start with the cover. When I first saw this cover, I didn’t like it. Now I can see it full size it’s kind of growing on me, like Joker flesh on Deadshot’s face.(Tee hee) The new Harley Quinn logo surprised me, as last time they just stole her old one. You know, the one from the ‘original’ DC universe pre-reboot, post-pre-infinite... ehh... you know what I mean. The one that doesn’t exist anymore, or kind of does in some ways, but only in ways DC can make money off it.. Ehhh, you know what I mean.

Yep - remember how they used the previous Harley Quinn logo on the issue just prior to this one? It's been replaced with a new logo for her, and also doubles as one of the nails in the original Harley Quinn's coffin. Quite useful. Apart from that, the cover also raises some questions about Harley Quinn's costume... well, I mean MORE questions. 

For one thing.. does she wear the cape or not? It seems like every other issue it vanishes. Secondly... before her arm thingies looked like gauntlets... but one this cover in particular they look more like gloves. Also her nails aren't red one hand black the other.

Batman - No Man's Land: The Code #1

All of the weird Harley Quinn and Joker shipping lately has made me rather nostalgic for what I consider to be their definitive relationship.
It's funny that with all the improvements and money that's gone into comics these days you really can't beat the classics for quality. 

When I think of the Joker - even though there are so many iterations of him throughout DC - I find myself thinking of this image.

Oct 1999
"Breakin' the Law"
Writer: Bronwyn Carlton
Penciler: Mike Deodato
Inker: David Roach

I just love that. Gleefully sitting in the spotlight in his dinner suit, relaxing and just about toasting us despite the fact that he is literally bathing in the chaos of No Man's Land. That is pure Joker - he just is chaos.. not a wannabe anarchist slash edge lord.

So that's how I picture Joker. Although sometimes admittedly it's more like this:

Gotham City Sirens #4

Another lovely cover - Harley's baby blues are striking. Ivy's her usual cheery self and so is Catwoman. Not sure why Ivy's hair is constantly standing on end these days but all the better to see your butt with my dear. I do like her lacy looking vine arm thingies. So chic. 

Remember this bit that's been teased over the last few issues?

Yes, we'e finally going to see what Harley Quinn's been up to.
Also, this TMZ for superheroes/villains is terrible. What sort of cow cheers when a superhero like Power Girl is decked one? That's when you go 'oh crap - this could be the end of my existence too!'

Still, it's a refreshing change from the ass kissing we normally get on real life celebrity shows.

And wow, Ultra Humanite? There's a blast from the past!

But I digress.

Now who do we know who owns a purple extend-o-gloves (and who also can't watch their favourite tv shows anymore) and has two white thumbs?? 

This guy!

Birds of Prey episode 1: Pilot

Alright - finally time to get back into Birds of Prey: the 2002 TV show that was a bit too far out there or perhaps early for it's time. Heaven knows today is the golden age of superhero shows being green lit left right and centre even if they're corny AF.

I think one of the main problems this show was that it was sort of an Elseworlds story. People would watch it and be all like who's Helena Kyle? Why is Dinah a little psychic kid? Where's Batman? What's a meta? Nothing, what's the meta with you? Haha I joke.

Alfred Pennyworth narrates our intro which shows a lot of CGI city porn... uhm, a lot of CGI city po- I mean, a lot, a lot a lot a lot of CGI city po- there's Loo-LOOOOOTS of CGI city porn, HUGE huuge amounts... ch-gk-gah.... LOOOTS!