DC Universe: Harley Quinn #64

 

The first thing that drew my attention on this cover was the tiny top banner with classic Harley shoving current Harley. It's cute, and in character. I don't know how I didn't look at the main picture first because YE GADS what on Earth is that? Did the nineties comic scene throw up again? I mean, it's not that baaaad... I guess but it also... doesn't make sense? 

Why is her arm a box? Is her hair made out of pom-poms? I was confused about her foot being a demented roller blade but then I realised that's meant to be her arm, not the box... her foot is that faux Japanese mask and cybergoth fluffies. So... what IS the box doing there? Is it part of her outfit, or is it the background? What's the other thing floating around her? Where are her eyeballs? Is this the revenge of Suicide Squad New52? Her pigtails trailing so long and being around all these mechanical parts makes me hella anxious too. 

Moving on with the comic itself - Harley is still reading her own comic book to escape the realities of her mom's hospital trip and-OH okay, inside is another picture from the cover and as it turns out, the star and box (diamond?) are SHOULDER PADS. 

.....Eh, still more in true to her origins than what she has been seen wearing, even if she's got a reject Dazzler from the future/Jem and the Holo-hell no's/Ziggy Star-Don't feel to her.  

Still weird though. 

Side note, I don't know a thing about Year of the Villain so if everyone's gonna be in these extreme cosplayer gladiator outfits I - well, actually I'm in two minds about reading it. 

DC Universe Harley Quinn #63

July 2019
Writer: Sam Humphries
Art: Otto Schmidt
Cover: Guillem March
"Death becomes Harley"

The final trials of Harley Quinn have begun…and the stakes have never been higher! Will Harley succeed in becoming the Angel of Retribution? Or will she fall short, only to suffer the same fate as all those before her?
Plus, a mysterious new comic by M. Clatterbuck appears…in which Lex Luthor makes Harley an exciting offer!
This cover is advertising the tie in for the "year of the villain" event, which is fine I guess, but I mean... going with a cross eyed Harley isn't the image I would have chosen. Plus, I thought the series was pushing the agenda that Harley is no longer a villain? Eh, who can keep up anymore? Especially when she either has hyenas or doesn't or only does when it's convenient like when she needs to sass an anthropomorphic personification of death.

The variant cover artist is Frank Cho who I have criticised before for being
kinda stuck in his ways. Here he's gone a bit different and done an oil painting.. or two. Which, yeah is hard and does take some skill but also.. I don't know if I like these. The first one is okay - but then he changed it to the final cover of just Harley doing her Maggot-Miley impersonation, which then apparently got super pasty white for production and now looks worse. I reckon he should have stuck with the peace sign/Vogue-ing one.





This issue opens with some random hero guy called The Coney Champion - who has sworn to take down Harley for her reign of terror - getting absolutely nerfed by Death. And not the fun Death, like Discworld, but some lazy skeleton who just throws this dude into a truck and kills him.
Which probably the worst part about is not the laziness, not the new character introduced and killed off because he posed a slight threat to Harley, the fact that it had nothing really to do with the story but probably the fact that this guy driving said truck appears to have vehicular manslaughtered before.. and assumes he's at fault even though this other guy hit the SIDE of his truck. What the heck sort of intro is this?

Harley Quinn: Black White Red #1 - Red

2020
Story/Art: Sejic
Lettering: Gabriela Downie

“Harleen: Red” Resolutely defiant in the face of all of Arkham’s attempts to psychoanalyse her, Harley Quinn is suddenly compelled to reveal some of her most vulnerable thoughts - and hints of her future -- when confronted with the simplest of prompts: “What does the colour red mean to you?” Another stunningly beautiful story from the world of Stjepan Šejić’s bestselling HARLEEN!

Not gonna lie - hairline trigger activated when I saw the title! I was like.. are they making a comic series about the gosh darned collectables of Harley Quinn, which are in turn based OFF of comics and such already established? And whose name is based on the fact that she should be black, white and red but normally isn't anymore? Sorry, the mind games involved in that is just... psychotic. 

Turns out it's an extension of the Harleen story that Sejic did, and I'm guessing it's just going to be three issues? Well, it should be or else they should probably rename the series Harley's reading rainbow or something. 

Justice League vs Suicide Squad #3

March 2017
Writer: Joshua Williamson
Pencils: Jesus Merino
Inks: Andy Owens

This cover isn't bad - I do question what's going on with Batman's legs though. And I don't think they've in any way contained Wonder Woman or Aquaman. Flash kinda looks like he's playing Wii tennis or DDR or something. I do like what they did with Waller and the title of the issue. It's not groundbreaking by any means - pretty sure Waller does this pose at least once every appearance she makes like it's her default character standby mode, but still... when it works, it works!




The two variants just focus on Harley Quinn and Wonder Woman, and like the recent review I did of Wonder Woman: Agent of Peace - the name 'variant' is ironic as there's little to be found here. Both covers feature Harley leaping through the air with the greatest of ease, wielding a weapon and a maniacal smile with which to somehow beat down on Wonder Woman - who stands her ground with less a look of determination but exasperation that these foes think they seriously have a chance, and make her calculate how to destroy them without accidentally killing them with her left pinky finger if Wonder Woman slightly waves her hand without warning.

Both covers take place in some sort of empty void where the only thing apart from the characters are a couple of yellow bursts of gunfire or hammer blows. As usual, the Conner cover is less appealing to me than the other one, which is done by Laura Martin. By Conner's logic, Harley's been suspended in mid-air for some time now, and has been shooting through enough bullets and clips to almost bury the Amazonian, yet for some reason Wondy is only NOW doing something half hearted to stop her? More flash forwards to Agent of Peace again. By contrast, the Martin cover (apart from Harley's face and waist) doesn't look too bad - I like Harley's pants and the fact that it looks like Harley is only wearing face paint, (without her dumb eyeshadow!) and the rest of her body is normal... and Diana is moving in to take her down. Yes.

Well, when we last left off, the Squad was fighting with the League - kind of. Then Killer Frost took out Superman and everyone got frost bite. What? I'm not wrong!

Wonder Woman: Agent of Peace #1

Commitment to Chaos

During a run-in with a villainous crime syndicate, Wonder Woman learns about a hit list whose biggest target is a familiar name – Harley Quinn! Can the Champion of Paradise Island track down the Clown Princess of Crime before it’s too late?

Writers: Conner/Palmiotti
Artist: Miranda

Colours: Hi-Fi

April 2020

There's not a lot of variation in these two covers, Wonder Woman looking "off-screen" at whatever threat she's countering. Harley Quinn acting tough behind her, and in BOTH covers manages to make direct eye contact with the reader. I'm not the biggest fan of Conner's artwork.. but good gravy it looks like something from the Louvre next to the horrible body shapes and contortions that the variant gives us. What happened to variant Diana's shoulder and stomach?? Why are variant Harley's boobs looming like visions of doom from the future.... larger than life and certainly larger than her head! 

I first became aware of this comic from the Wonder Woman fan page on Facebook, and the majority of comments were "Why is Harley here? She's way over-saturated" which  is true, she really is. Combined with the fact that both the former writers and artist hail from the Harley Quinn solo series, there is not a doubt in my mind that Wonder Woman is going to get sidelined in her own series. 

The last time these two got involved it was like a really weird fan fiction where not only was Wonder Woman sidelined, but she was really out of character for the sake of having her team up with the Brooklyn Babbler. 

Well, I'm wearing my Wonder Woman shirt.. let's see if this issue is at least better than that time. 

Opening on Wonder Woman wandering through some city - we get some exposition about buildings collapsing randomly followed by some real estate fraud but it doesn't say where she is. I haven't kept up as late with the current Wonder Woman but she used to be based around Washington DC either for her museum or Dept. of Metahuman affairs, New York for her embassy or Boston for her agency.. 

I guess we're in generic USA City. Wonder Woman looks a bit like a strung out supermodel and because it wouldn't be a Conner/Palmiotti book without it, there's obligatory scenes of both gushing fan girls and authoritarian-stereotypical tough guys for the heroine to beat up. 

New52 Grifter vs Suicide Squad

So for a change of pace, thought I might take a look back at the earlier incarnations of the New52 Suicide Squad and their tentative steps into the world of cross overs. I am not a Grifter fan, in case you were wondering. I don't know anything about him apart from his cheap Spidey-Poole costume, fondness for guns and a code name that implies he's dodgy as a backstreet lung.

Feb 2013

Action packed cover. If you're wondering why the artist forgot to draw a bunch of arms holding those guns, it's because Grifter is telekenetic... because of course he is. Still doesn't excuse his lazy costume.

Opening up on some sort of briefing which we're later shown is a recording being shown to Waller alone, we're shown a red haired girl with green eyes and told this is the target, and she's joined some sort of alien cult because how else would she spend her Saturday night?

Anyway, the first picture of the girl is her in a green singlet, then the rest of the panels show her singled out in the middle of the room, then there are two more panels with a girl with red hair and green eyes, yet sitting at the front here and with a different dress.

Plus the people she's sitting next to are swapped out. Soo.... is the red head the same girl the whole time? Is the first image a stock photo and the rest is the 'live' scene? It's confusing. The art's not too bad though.





Waller gets chewed out for a past mission failure and then we're back into the action, watching Grifter run and monologue at the same time. Oh, and also dodging bullets. I wonder who's shooting at this guy? Could it be....

Yes! It's Shooty Robot, Fire Skull and Emo Levitating clown!
Oh lawd, doesn't Harley's face remind you of that time Dc released all the 'Arkham City/Harley's Revenge' tie ins and promos, and she was just constantly either crying or having dripping eyeliner? Wait, is this a nod to sad clowns? Well, either way her pose is stupid and she looks more wannabe emo than a dramatic-comedic persona. Also, Grifter and Deadshot have the same pose more or less.
Also Harley's quip would probably make more sense if she wasn't from Gotham and had a history of breaking into Arkham herself.

Still, as much as Harley's pose and face freaks me out... it's not as bad as the next page.

DCeased #2

2/6
"The Monster Inside of Us All"
Writer: Tom Taylor
Pencils: Trevor Hairsine
Inks: Stefano Gaudiano
Colours: Rain Beredo

The ominous narration continues in this one, but doesn't do a thing to warn poor Aquaman not to open the door on the stricken cargo ship. In his defense, they do seem to be fast zombies. Gosh, I hate fast zombies. It's like... the slow ones are bad enough but at least you don't have to run like, allll the time. What is this, the Apocalypse Olympics? Damn.

Now Metropolis is on fire, and the Supersons and Superman are just chilling at their crib. They decide to head to the Daily Planet. Meanwhile, over in Gotham, Poison Ivy and Harley Quinn are also just chilling but in some dingy alley way. So, clearly journalism pays better than crime. Thanks for the morality lesson DC!

Here, Ivy is abusing the power of the green and hyping Harley up for something, but Harley is trying her best to weasel out of it. They don't exactly say what this task is so maybe the next page is... oh.

Look at that sweeeeet..... gaming set up. 

Oh, is this supposed to be the hideout he used in Death of the Family? Or is it a parody of Batman's computer set up? I don't mind that actually - either one. I DO mind the over the top self aware and stereotypical 'battered/downtrodden woman in a relationship' discussion here. Since when are they officially back together enough to split? And since when has Joker cared what anyone was thinking unless it benefited him? They seem to be making it into a relationship thing..

"Got a new vibe, who dis?"

Dark Nights: Metal: The Resistance TPB 1

June 2018

The alternate, twisted versions of Batman—the Seven Dark Knights of the Dark Multiverse—are hunting the Justice League as the Leaguers attempt to locate artefacts that might protect Earth. One by one, Flash and Steel, Wonder Woman and Doctor Fate, Green Lantern and Mister Terrific, Aquaman and Deathstroke must face the Nightmare Batmen.

Elsewhere, Dick Grayson issues an S.O.S., summoning Robin, Batgirl, Harley Quinn, Killer Croc, Black Canary and Green Arrow to prevent the transformation and terra-forming of Gotham City into a twisted mosaic of monsters, magic and doom. When they are trapped in a Riddler-designed maze, all hope may be lost.

And where is Batman during all this? He’s trapped in his own private nightmare, reliving portions of his life while confronting Barbatos, the leader of the evil Batmen and the demon that has haunted his dreams...

Foreword, the trade tells you to read Dark Nights: Metal #1-2 first, but when have YOU ever followed rules?

So - what's happening here and is it worth all the hype?

Well, it's got a lot of artists so there's Harley parading around in a few different outfits (consistency, thy name is not Harley) some weird spiky fusion version of Batman and Joker, spiky zombie Robins, magic metal cards give to the usual Arkham assortment to create their own realms.. 

Yeah, it's not too different from the average DC event. 

Opening on Barbatos giving Riddler a card to create a doom maze and divvying out more cards to his cohorts Poison Ivy, Mr. Freeze, The Mad Hatter, Bane and... Firefly, maybe? Eh, I dunno. Probably. Anyway they all get cards to make their own realms to ensnare our intrepid heroes. I am personally a big fan of how the evil speech is still inspirational, and how everyone who gets one looks excited (well, Hatter and Freeze definitely, the rest are a bit unclear) about the possibilities, Poison Ivy is doing the teeth test to check hers is real but Bane's still like 'What is this card, puny demon? I do not play. Messing with ME is gambling, you got a problem!'

Damian - headstrong as always has gone on a gargoyle-back ride to Gotham which is... a little different.

You know, I don't really mind Damian. Not a fan of him when he's pushed into every narrative but I like that he's different to the other Robins even if he is a bit of a jerk. He reminds me of Huntress on a revenge trip - not afraid to do what's needed even if it ostracises them from the other good guys. Especially here, as much as he thinks he's better than everyone else and above all the petty emotions they feel, he still rushes into this weird ass place to save his Dad by himself.

Harley Quinn & Poison Ivy #1

Here it is.

Honestly I wasn't sure what to expect from this comic because the previous taglines were all "Harley and Ivy explore their relationship post Sanctuary" - which can mean a lot of things but my first thought was "pleasedon'tbelikethepalmiottoconnerharleyivyrelationshippleasepleaseplease" because there is no faster buzzkill than my two of my favourite fictional criminals sitting around calling each other pet names, talking about feelings and scheduling spa dates.

Also, the first promo didn't grab my eye.. I wasn't keen on Ivy's 'green variant of female titan' look, and the angle for Harley wasn't especially flattering, and I wasn't excited about the predictable antagonist... although I did like the direct approach of it by having them dance around a map literally between their destinations. The cover they used appeals to me so much more.. although I question why it matters to watch the road when everything's on fire but that's just me.

As you may have guessed, there are quite a few variants so we'll go through them at the end so as not to take up the entire review.


So, what's it all about, really?

Harley Quinn and Poison Ivy are taking their show on the road in this new miniseries! They’ll have to evade villains and heroes alike while they explore their relationship and unpack their time and experiences at Sanctuary. Set after the events of HEROES IN CRISIS and smack in the middle of “Year of the Villain,” it’s a journey across the DC Universe that will change their friendship forever... if they live that long!

"Pushing Daisies"

Sept 2019

Writer: Jody Houser

Pencils: Adriana Melo

Inks: Mark Morales
Colours: Hi-Fi

Cover: Mikel Janin

Okay... so it's a mini-series capitalising off the name of a prior popular series smack bang in the middle of two events? Wow, I'm cynical. Let's check it out. 

Batgirl #18 'O, Harley Night!'

Judging by the snow and the red and green coloured title, it's already going to be an American Christmas. Why did I specify that? Because I'm English, but now live in Australia.. where the concept of it snowing at Christmas, which is generally the meltiest time of the year but it's because the heat soars higher than any sleigh, and the drops falling are just filthy sweat... not snow.

There is a reason why we amend our Santas to look like this;

for if we don't... THEY SUFFER FROM OVERHEATING. 

So the general or popular opinion that you have to be buried in ten feet of snow for it to be actually Christmas gets a bit grating at times but yeah, sure, it's set in American and it's comics so sure. Ok.

But of course - our Harley is still running around wearing her usual outfit and ... a scarf?
Like - OH NO, It's cold! Better wear a scarf with fluffy boots and not like... do my jacket up or.. heaven forbid, wear pants or something covering my midriff!

She also adds purple and green leggings to her already horrible mish mash of red/black/pink/blue. Why? Who knows. Also not a massive fan of the change of Batgirl costume. I know - I'm behind the times there and it does seem to suit her more youthful appeal but you just can't beat the classics.
Also, how did Harley beat Batgirl to the point where she's just casually looking up at this arse clown while her back is surely breaking? And that my friends, is a 'too soon' for me moment.

Variant cover is alright, Harley is channelling Joker in the face but it's still better than wearing a band-aid on her mug like in cover one. At least here she commits to the Christmas theme and goes full red and green - even though she's wearing booty shorts, at least her jumper is done up and she's wearing warm gloves. The jingle bell belt is nice and I approve of the pigtail fluffy scrunchies and the the British looking old school lamps in the snow, however it seems like Batgirl was drawn by a different artist? And why is her hair made of spray paint? Still, the little gift-bomb is a nice touch.

So - why is this happening?  Let's have a look.

Justice League vs. Suicide Squad #1

Feb 2017
Writer: Joshua Williamson
Artist: Jason Fabok
Colours: Alex Sinclair
Letters: Rob Leigh

It's taken me a while to get into this mini series because it was just...
Well, I mean, look at it. A  bunch of C and D listers at best, who can't even commit petty crimes without getting caught going up against The Justice League? Half of them don't even have powers... and we've all seen the memes.

The baffling thing is that this comic came out a year after Suicide Squad: The most incompetent and needlessly confusing entry into DC's movie list. That movie had the SAME problem and not only was it not resolved, it was written into the script as the gosh darned PITCH to CREATE the Suicide Squad. Sure, everyone expects them to die Mr. Bond hence the name but the fact remains that someone literally proposed that these non-powered boobs were the answer and the solution to stop an evil Superman when these idiots probably couldn't agree on a Pop-Tart flavour without breaking out into petty squabbles.

So - no powers/limited powers, no team work..... not the greatest idea ever thought up, that's for sure.

I wondered if it was an attempt to recover from the movie or an attempt to cash in from the movie. Then I was like, nah, I think they're cashing in on Harley Quinn. Damn - top billing right next to Batman. Looking like Superman be punching her in her oversize tits while Aquaman looks on from behind, having given his last heck eons ago.

Aquaman be like 'Y tho?'

That said, the cover looks nice. I can appreciate the symmetry business they got going on, and I like that Harley actually looks nice here. As in, she looks like she actually has human hair, not just oddly coloured growths on either side of her head. The playing card tattoos on her face don't even bother me that much. I still think the pink and blue is so stupid but if you're gonna do it I guess do it better than everyone else. Her red nose is what ruins it for me. Lousy Harley Quinn Solo writers.

Now, the variant covers.... hmm. Well, let's just say if you wanted a weirdly drawn picture of Deadshot sitting on Batman's chest/shoulder like a messed up Santa Claus photo op, you got it! If you wanted a picture of Batman and Deadshot leaping at each other looking more like they're in a dance battle rather than an actual battle, you got it!
If you want obligatory women fighting women covers with slight bondage thrown in, you got it!
Oh you like that, huh? Here ya go, have it in black and white too!

Suicide Squad: Black Files #1 & 2

A 6 issue mini series - because we certainly don't have enough Suicide Squad comics and spin offs!

Well actually these Suicide Squad comics aren't too bad... just imagine what the Suicide Squad film could have been if the actors had an ounce of the characterisation the comic book characters do!

Anyway - there are still some flaws, which I'll get into in a minute. Firstly, I'm doing two issues at a time with this series as Harley isn't in very much of these, which is a bit refreshing actually.

My first issue with this... issue... um, is that it shows that Harley hasn't learnt a damn thing since the Banana Splits spin off. Here's the squad in sunny somewhere in Eastern Europe. Wait, it's not sunny at all, why, they're in some sort of alpine, snow bitten hell hole, miles from hot chocolate and fluffy snowboots! And what does Harley have to say about all this?

Yep. Hurry up, I'm cold. Look, it's fair enough. Seems pretty cold out there. What does the rest of the squad have to say?

Heh heh heh... oh, Boomerang. 

DC Universe Harley Quinn #58

Standard cover here was to be expected - every time Harley catches up with Batman and ISN'T attacking him without provocation, she's trying to be a Robin of sorts. So, par for the course here. It's okay, but predictable and overdone. Variant cover is visually stunning... although riding a purple bike covered in Joker stamps and wearing a 'Puddin'' collar probably isn't the best way to spend the issue immediately after you spent a lot of time declaring yourself Joker-free.



Also, I feel like a good chunk of Japan just got stereotyped and hard. She also loses points for the shoes, not wearing a helmet, not looking where's she's going, presumably having other tattoos a la Suicide Squad, animal cruelty and for littering those playing cards everywhere. Still, at least it's unique, I guess. Couldn't help but notice one of her eyes has changed colour.... aaaaand they've added purple eye-shadow to her already quite convoluted colour scheme. I do find myself quite liking this cover as a one off though.

Now.. where we left off, Harley was being apprehended by Batman because she's a suspect in a murder. It rather looked like a parent putting a child in time out, but worse because she's a grown woman who just attacked Batman with a bat, man, because she was too impatient to listen.
 Then... She's not even handcuffed in the Batmobile? Then... she's just allowed to run free in the Batcave? Like.... did I miss something? Oh right, normal rules don't apply to Harley Quinn.

I mean, at first it looks like she's released to help solve the case, but that can't be right because she later suggests that she helps solve the case and Batman shoots her down. This is Batman - why is he suddenly relaxing his strict protocols? Then he lets himself get handcuffed to Quinn? Why is Batman being written as totally incompetent?




FYI - saying "No body no crime" doesn't exactly make it sound like you're innocent, Harley.
Neither does dismissing motive, opportunity and physical evidence at the scene as 'flimsy.'

First step of the investigation - visiting the murder victim's home... which for some reason, Batman didn't do as a first step by himself. Then he lets Harley do the talking. Clearly, they're going for a second rate buddy cop schtick here so to even get through this I'm going to have to let a lot of things slide. Which, surprisingly isn't an issue for other comics that generally involve super powers. So, that's a thing that happens now.

They meet up with the deceased doctor's house-sitter, who no one bothered to tell that the home owner is dead. Then they go to the crime scene where Harley touches the crime scene and eats a cookie crumb, declaring that suddenly she is a member of a cookie fan club and can note the complexities of the flavour even though they aren't available in her country. So, that's pretty convenient. Not to mention the main murder suspect ate the only evidence and could therefore just make up whatever bullshit she wanted.

Fortunately for her, this leads Batman to a warehouse on the docks that a) imports illegal goods and b) is registered in the dead doctor's name... because that's a smart business move that clearly doesn't warrant any further investigation. It also houses Smylex... because that's a thing that happens and they now label a concoction made by the Joker clearly. Well, points for WHS&S... but only given if they ever cover up that vat that he fell into in the first place with an actual safe cover.

Batman and Harley Quinn issues 1- 4

Alright, remember that Batman and Harley Quinn animated movie that came out? Then the prequel comics that came out? Then these ones that came out at pretty much the same time? Yeah.. it's a bit confusing. Even I get the whole Batman and Harley Quinn or Harley Quinn and Batman titles mixed up a lot. 

Geez, even DC is getting confused because they're selling the 5 issue prequel and the 7 issue sequel as 'Batman and Harley Quinn' and advertising it solely AS said sequel in a collected graphic novel. 

Let's have a look. 

So already we can see that the art style is basically the same - as in Batman the Animated Series but just bad enough so we don't get sued by WB. 

This issue opens with the suspicious note of '6 days since Harley lit the match' and the title of this issue is 'Busted' which ties into the Solit for the series which was :

Batman's been back in Gotham for almost a week, and that means someone is about to get "Busted"!
Wow! Is it Harley!? Nope. she ain't even in this issue. That's why I'm doing two posts on this run so I can breeze through the majority of it. The chump getting busted is Blockbuster. So.. is that a pun or what? Not sure.

Countdown 39-30

Back into a long shitepost about Countdown again! 

Here's Una and Karate Kid flying around Metropolis and dreaming about some sweet B&E. 

Wait, what? They're going to break into Oracle's Metropolis hideout? Goooood Luuuucccck...

Speaking of hideouts, Pied Piper and Trickster and finding a change in their circumstances. Penguin treats them to some fancy wine and some nice chow. Trickster accepts it gladly but Piper has some reservations. Trickster mocks Piper for his negative view on things but sure enough, Penguin has the Suicide Squad ready and waiting  to take out the rogue Rogues. 

Meanwhile, Donna Troy and Jason Todd and flying through the sub-quantum something or other when Jason makes the mistake of asking how much weirder stuff can get. 

Yeah, that's like an unwritten rule in comics, or even life. Just... don't. 

Now we've mentioned weird, we have to mention Jimmy Olsen. Oops, I mean Mr. Action. He thwarts a mugger and gets a smooch, then some aspirations into a team dynamic one week into his solo crime fighting career.

Maybe instead of dreaming big, Mr. Action could have stretched his way into Gotham to help Penguin save his expensive wine cellar because things are NOT going well over there.

Trickster hilariously yells about being rat catchers while running through the Iceberg Lounge - referring to the Pied Piper and his rat affinity, while also working double to embarrass Penguin.

The Suicide Squad get shown up, and hard, despite Deadshot's best attempts. Through a combination of boomerangs and forgetting about the electro chain tying them together, Trickster and Piper barely scrape their way out of there. 

Talking about scrapes - man, how good am I tying these things together? - we meet up with Harley and Holly back over at the Athenian shelter, scraping away at the patriarchy and dodging rioting mobs. Last time, Holly saw Harley rejecting a single mother's application for refuge and she is now digging for answers about this. 

Yeah, Athena will see you now.. ABOUT THAT BURN!

Seriously, Holly. I love this scene. She's hauling herself up from the bottom of society and has been doing it rough - I don't blame her for asking for good reasons why they're putting someone vulnerable right back down the ladder. However, she's really judgey and stuck up when she goes about it, especially to someone who is clearly working on their own past and faults. I like how Harley doesn't go off on a tangent about it (something I clearly have trouble with!) but instead delivers a snappy retort and leaves with a cheeky grin on her face.

Holly goes in more politely with 'Athena' and ultimately ends up back where she was - no real answers - but now with a ticket to a self esteem workshop.