DC Universe: Batman #89

Straight up, not a fan of the cover!

The concept is fine but the character design doesn't grab me. Penguin and Riddler look about right but Joker is like the skinny jeans version of himself.

Harley - ooh where to start? Right - face bandaid? Gross. Could be a racing stripe but you're either playing derby or you're not, and she's not so it's a plaster until further notice. Looks as if she's wearing a quarterback's armour with the flimsiest shirt underneath. Crazy skinny to the point where's it's distracting and you wonder why she had her arms surgically replaced with that of as young child's. Are these arms going to snap the moment she lifts that mallet? Her shorts look like a Warner Brother's cartoon ran headlong into her butt and saw stars so hard it left an imprint of their delusion - the only thing missing is the tweeting birds. How are her tatty thigh highs even staying up? The only part I really approve of is the sturdy boots. 

Then there is Catwoman - fine I guess, if you like vinyl chafing in your armpits. 

Anyway, comic opens with some hospital staff discussing how everyone's basically doomed because of dust and Joker toxins. I mean, this is a great point. Coincidence this issue came out when it did? Curious now if the vast majority of anti-maskers during COVID19 would wear a mask if they lived anywhere near the Joker or if they would continue their protest, albeit with big, new smiles?

The hospital chit chat gets cut short when Penguin gets unceremoniously dumped in their lap with a stab wound. Speaking of extreme Americano, Batman fights a dude in stars and stripes. It does not end well for stars and stripes man. 

I would like to point out that I haven't read the issues proceeding this so not 100% on what's going on, but I am going to question why if all of these people are in Gotham - why is it only raining in the cemetery? I would also question why the ER of Gotham's Mercy Hospital was so quiet and clean but eh. 

Right, so Harley is back in Gotham and is helping Selina take out a bunch of Joker... gas.. robot things?

I probably should read the preceding issues. Oh well. 

DC Universe: Harley Quinn #64

 

The first thing that drew my attention on this cover was the tiny top banner with classic Harley shoving current Harley. It's cute, and in character. I don't know how I didn't look at the main picture first because YE GADS what on Earth is that? Did the nineties comic scene throw up again? I mean, it's not that baaaad... I guess but it also... doesn't make sense? 

Why is her arm a box? Is her hair made out of pom-poms? I was confused about her foot being a demented roller blade but then I realised that's meant to be her arm, not the box... her foot is that faux Japanese mask and cybergoth fluffies. So... what IS the box doing there? Is it part of her outfit, or is it the background? What's the other thing floating around her? Where are her eyeballs? Is this the revenge of Suicide Squad New52? Her pigtails trailing so long and being around all these mechanical parts makes me hella anxious too. 

Moving on with the comic itself - Harley is still reading her own comic book to escape the realities of her mom's hospital trip and-OH okay, inside is another picture from the cover and as it turns out, the star and box (diamond?) are SHOULDER PADS. 

.....Eh, still more in true to her origins than what she has been seen wearing, even if she's got a reject Dazzler from the future/Jem and the Holo-hell no's/Ziggy Star-Don't feel to her.  

Still weird though. 

Side note, I don't know a thing about Year of the Villain so if everyone's gonna be in these extreme cosplayer gladiator outfits I - well, actually I'm in two minds about reading it. 

Harley Quinn: fake news and rant about Screenrant

 So - spoiler alert - ScreenRant isn't exactly the headquarters of factual information but they do a lot of clickbait and are allllways at the top of any search for general pop culturey stuff, which I know because I make an effort to avoid clicking on their articles. Today though, they got me. 

I was curious about the tattoo on Harley's back so I read this article by a Thomas Bacon (1/9/2020) in which he states it says property of no-one, which is a throwback to her 'property of Joker' jacket from the first Suicide Squad movie. While I wish we could see this relationship actually play out on the silver screen, Mr. Bacon portrays these tattoos like they're a full relationship run-down and all we need to know. 

But attentive viewers will have noticed a subtle change in Harley Quinn; specifically, her tattoos. Most of these were supposed to have been made by Harley herself, while she was languishing in prison, bored out of her mind. But there are a couple of exceptions, ones in places even the uber-flexible Harley couldn't reach. And all of these conveyed a sense of ownership, suggesting the Joker had branded Harley. One on Harley Quinn's back literally identifies her as "property of Joker." It's easy to miss, but this has actually changed in the behind-the-scenes footage from The Suicide Squad, suggesting Harley has had someone paid to alter the tat. It now reads, "property of no one.
It's a subtle detail, but a great visual way of reminding viewers of Harley's character arc. It suggests Harley Quinn is following the same journey she did in the comics, where she learns to define herself as an individual rather than by her relationships. While she no doubt won't stay single - Birds of Prey subtly set up the romance between Harley Quinn and Poison Ivy - she will never again allow herself to be drawn into the kind of unhealthy, obsessive and abusive relationship she had with the Joker.
All this means Harley Quinn is more than a Joker abuse victim. Rather, she is recovering from her time with the Clown Prince of Crime, getting on with her life, and in so doing presenting a brilliant example to viewers. Superhero franchises rarely explore this theme, tending to show healthy relationships and present idealised views of love and romance. But Harley Quinn is far more real, meaning she has one of the best arcs in the DCEU to date. This tattoo confirms that arc will continue in James Gunn's The Suicide Squad.

I was curious about the 'subtly set up romance' thing because if there's one thing DC doesn't do well in it's films it's.... ok, well, one thing among many is that they ain't subtle. 

The link is in the paragraph if you wish to read it yourself but be warned, it's nothing to do with the movie Birds of Prey.

Retro Review: Harley Quinn #21 Hell and Highwater!

August 2002
Writer: Karl Kesel
Cover: Terry & Rachel Dodson
Art: Brandon Badeaux
Inks: Dan Davis
Colours: Guy Major

When we last left off, Harley found out she was literally in Hell alongside some former partners and after a few failed attempts of reasoning with the powers of the underworld, decided to bust out.

This issue brings a new card into play - Ulysses Highwater - a damned bounty hunter, who we see chasing down a bank robber seemingly intent on not just getting his man, but also finding out information on a certain Nathan Drumm. His current prey can't help him but when Ulysses is summoned to see Etrigan - rhyming demon of hell - in order to capture Harley Quinn and her gang... Ulysses wonders if she might know.

Without a doubt one of the best wanted posters I've ever seen!

Speak of the devil - Harley and her gang isn't doing too bad - stealing a tank, and running down Pettit (no doubt revenge for the knee capping from earlier!) with a satisfying 'sklonjtch' noise.
Eventually they get cornered, but keep going and smash through a gate and into a hidden metahuman containment facility.

DC Universe Harley Quinn #63

July 2019
Writer: Sam Humphries
Art: Otto Schmidt
Cover: Guillem March
"Death becomes Harley"

The final trials of Harley Quinn have begun…and the stakes have never been higher! Will Harley succeed in becoming the Angel of Retribution? Or will she fall short, only to suffer the same fate as all those before her?
Plus, a mysterious new comic by M. Clatterbuck appears…in which Lex Luthor makes Harley an exciting offer!
This cover is advertising the tie in for the "year of the villain" event, which is fine I guess, but I mean... going with a cross eyed Harley isn't the image I would have chosen. Plus, I thought the series was pushing the agenda that Harley is no longer a villain? Eh, who can keep up anymore? Especially when she either has hyenas or doesn't or only does when it's convenient like when she needs to sass an anthropomorphic personification of death.

The variant cover artist is Frank Cho who I have criticised before for being
kinda stuck in his ways. Here he's gone a bit different and done an oil painting.. or two. Which, yeah is hard and does take some skill but also.. I don't know if I like these. The first one is okay - but then he changed it to the final cover of just Harley doing her Maggot-Miley impersonation, which then apparently got super pasty white for production and now looks worse. I reckon he should have stuck with the peace sign/Vogue-ing one.





This issue opens with some random hero guy called The Coney Champion - who has sworn to take down Harley for her reign of terror - getting absolutely nerfed by Death. And not the fun Death, like Discworld, but some lazy skeleton who just throws this dude into a truck and kills him.
Which probably the worst part about is not the laziness, not the new character introduced and killed off because he posed a slight threat to Harley, the fact that it had nothing really to do with the story but probably the fact that this guy driving said truck appears to have vehicular manslaughtered before.. and assumes he's at fault even though this other guy hit the SIDE of his truck. What the heck sort of intro is this?

DC Universe: Suicide Squad #2

Writer: Tom Taylor
Art/cover: Bruno Redondo

Let me start by saying I enjoy Tom Taylor's take on Harley from Injustice so I'm actively looking forward to a much less cringe version of her in this series than usual. 

The artist is good too - only the cover is a bit distracting for me because all through my post-high school education I would buy these cheap notebooks for classes from the campus store, and they ALL had this swirly design on them, in various colours but including this exact scheme. So it's a little flash backy for me, like I suddenly remember I have an assignment due tomorrow when I look at this! Also... there are a lot of characters winking at me here... and this concerns me. 

Did I miss an in-joke? Are they cracking onto me? Is the background too bright for them too?

Now this issue opens with the ending, which is cool so we'll come back to that at the end - fittingly.
Besides, I like this part better. Yes, I know Scale and Fin annoyed me in the first issue, but Fin suffering without Scale - more interesting. Bit of character development. Looking at him sitting there in his solitary tank, mourning his brother not just for the fact that he was a relative, but because of their telepathic connection - I felt sorry for him. I want him to get revenge. I want him to grow from this. All these feelings intensify when King Shark appears and reveals he can both hear Fin and cause more devastation by what he wants to show him.

I don't really get the next part, either Fin has the fist bump power of ten men, his glowing torso is his power level or he psychically enhanced his tackle attack but he smashes said five inch glass to have a go at Shark - which, you know, fair enough. Both of them get tasered before much can happen, but still. Looked cool.

Then we go from this dark, aquatic revenge flick to a super bright, super close up of Harley yelling about how insane everything is as Deadshot and herself walk alongside Lok. This I could deal with  (after my eyes adjust of course) but damn, she just had to get one more jab in at poor Cavalier, who was clearly too beautiful for this cruel world.
She does get psychically shut up though, so that helps. Should be noted that not only Lok was annoyed with Harley's yapping but Deadshot also seems a bit bothered by what happened last issue.

Anyway, Lok's taking the current Squad walkies to see the Revolutionaries who are currently enjoying their glass cubes.

Harley Quinn: Black White Red #1 - Red

2020
Story/Art: Sejic
Lettering: Gabriela Downie

“Harleen: Red” Resolutely defiant in the face of all of Arkham’s attempts to psychoanalyse her, Harley Quinn is suddenly compelled to reveal some of her most vulnerable thoughts - and hints of her future -- when confronted with the simplest of prompts: “What does the colour red mean to you?” Another stunningly beautiful story from the world of Stjepan Šejić’s bestselling HARLEEN!

Not gonna lie - hairline trigger activated when I saw the title! I was like.. are they making a comic series about the gosh darned collectables of Harley Quinn, which are in turn based OFF of comics and such already established? And whose name is based on the fact that she should be black, white and red but normally isn't anymore? Sorry, the mind games involved in that is just... psychotic. 

Turns out it's an extension of the Harleen story that Sejic did, and I'm guessing it's just going to be three issues? Well, it should be or else they should probably rename the series Harley's reading rainbow or something. 

Harley Quinn And The Birds Of Prey

You can probably guess that I've put off reviewing this one for as long as I can.

April 2020

The creative team that transformed Harley Quinn forever returns to shake up her world once more-and this time, the gloves are off! Harley Quinn has avoided Gotham City ever since she broke up with The Joker and found a home, and a kind of family, in Coney Island. But when she gets an offer she can’t refuse, she has no choice but to slip back into the city as quietly as she can, hoping to be gone before anyone-especially her ex-learns she’s been there. But for Harley, “as quietly as she can” is plenty loud…and before she can say “Holee bounty hunters, Batman,” The Joker’s sicced every super-villain in the city on her pretty ombré head-and the only team tough enough (or crazy enough) to come to her defense is the Birds of Prey! The foul-mouthed, no-holds-barred sequel to one of DC’s raciest runs is here! Get on board early, before we come to our senses!

So, the team that messed up Harley Quinn for iterations to come decided to break their 'Harley Quinn retirement' now that there's more media focus on her than usual, they can smell the dinero from a mile away.. and in doing so are going to schlock out their usual off brand catch phrases, show how absolutely annoying their Harley is, and forget that she's been seen in and out of Gotham several times during their run.

Going from that blurb, this is meant to be a direct sequel to the recent movie I guess?

The cover already made me lose what little hope I had. Here are five women of diverse nationalities who all have the exact same face and body type.  The characters in the movie (if you can call it that) were already so distanced from their comic counterparts, but here while they look a bit more like the characters they're meant to be - we still get to tell them apart by their accessories. 

LOL Montoya has doughnuts, she must be a cop! Ha, Cassandra is such a little cat burglar, look at her hoodie with cat ears and how she's stolen Huntress' arrows! 

Also.. are the Birds in Coney Island because otherwise what's with this backdrop of Harley's hotel full of her extended roster of bit-parters if she's supposed to be in Gotham? 

The only thing I LIKE about this cover is the can that says "Oh, happy spray!" but come on, that's not exactly original either, is it?

Justice League vs Suicide Squad #3

March 2017
Writer: Joshua Williamson
Pencils: Jesus Merino
Inks: Andy Owens

This cover isn't bad - I do question what's going on with Batman's legs though. And I don't think they've in any way contained Wonder Woman or Aquaman. Flash kinda looks like he's playing Wii tennis or DDR or something. I do like what they did with Waller and the title of the issue. It's not groundbreaking by any means - pretty sure Waller does this pose at least once every appearance she makes like it's her default character standby mode, but still... when it works, it works!




The two variants just focus on Harley Quinn and Wonder Woman, and like the recent review I did of Wonder Woman: Agent of Peace - the name 'variant' is ironic as there's little to be found here. Both covers feature Harley leaping through the air with the greatest of ease, wielding a weapon and a maniacal smile with which to somehow beat down on Wonder Woman - who stands her ground with less a look of determination but exasperation that these foes think they seriously have a chance, and make her calculate how to destroy them without accidentally killing them with her left pinky finger if Wonder Woman slightly waves her hand without warning.

Both covers take place in some sort of empty void where the only thing apart from the characters are a couple of yellow bursts of gunfire or hammer blows. As usual, the Conner cover is less appealing to me than the other one, which is done by Laura Martin. By Conner's logic, Harley's been suspended in mid-air for some time now, and has been shooting through enough bullets and clips to almost bury the Amazonian, yet for some reason Wondy is only NOW doing something half hearted to stop her? More flash forwards to Agent of Peace again. By contrast, the Martin cover (apart from Harley's face and waist) doesn't look too bad - I like Harley's pants and the fact that it looks like Harley is only wearing face paint, (without her dumb eyeshadow!) and the rest of her body is normal... and Diana is moving in to take her down. Yes.

Well, when we last left off, the Squad was fighting with the League - kind of. Then Killer Frost took out Superman and everyone got frost bite. What? I'm not wrong!

Harley Quinn: Make 'Em Laugh #1

2020
Writer: Mark Russell
Artist: Laura Braga
Colours: Luis Guerrero
Cover: Andrew Robinson

It’s hard out there for a freelancer! Looking to make some quick cash, Harley takes on odd jobs in her many wheelhouses—therapising bad guys, tracking down stolen art from the Gotham Art Museum...but when it turns out the thief has his own mental baggage to unpack, Harley’s got a real Thinker on her hands!


First things - not sure why this series is called 'make 'em laugh' and honestly I thought the sub title of 'Head Shrink' meant that this story was going to be about Harley seeing patients all day.

Gotta say, when I saw yet another Harley title I did get a bit aggro about it. I mean, it's really over kill at this point. Plus the cover did not grab me at all - Clayface is hyper-realistic but Harley doesn't match that at all, looking like a rough sketch with weird stick arms and severe Miley Cyrus tongue. The background is juvenile looking with the stars and visual onomatopoeia. I've seen worse covers but this one is a bit mismatched. Apart from that, I do like the poses and Clayface does look good.

Thankfully the interior art is beautiful - it's detailed, proportioned, the colours are amazing and the people all gesture, move and look like.. well, people! And this artist is Braga - who I previously panned for the weird art, backgrounds, poses and faces in Harley and Ivy meet Betty and Veronica. Well, what a damn turn around! You go girl!

However, the best part of the book is actually Harley. More on that later, let's have a look at the story.

Harley is using her psychiatry skills to pay the bills but is also taking up freelance work, like looking into an art thief for the Gotham Metropolitan Museum of Art. I like that the museum staff aren't too sure - one outright suggests this is crazy and Harley could even be responsible for the crime, the other doesn't seem to mind Harley too much but admits they're desperate. This is a nice change because when Harley did this freelance lark in her solo series it was either Harley forcing her way onto jobs and solving everything with violence or people being so far up her butt they couldn't tell she was the worst person they could have hired.

Birds of Prey: Sirens of Justice #1

Not content with her own comic empire, a successful Gotham City Sirens run and a miserable attempt to encroach on the Birds of Prey universe via cinematic vomit, DC has decided to combine all three of these elements to make this Birds of Prey: Sirens of Justice - The inclusion of one Harley Quinn.

Sigh.

At least going from the cover art and the involvement of one Gail Simone, this should be better than that hideous movie-comic tie-in we had before.

Fight or Flight
May 2020
Writer: Simone
Cover: Lupacchino and McCaig
Interiors art: Miranda

As much as this cover is actually visually appealing - I'm a bit concerned that Harley is basically wearing as knock off version of Canary's outfit. Remember that old design guideline where it was basically law for any TV show/movie/comic etc that had more than one female, that they all had to wear a different style top etc? Anime fans would be familiar with uniformed school girls having extremely varied socks - same kinda thing.

They even go as far as to include fishnets on Harley's get up though - like.. a blonde wearing fingerless gloves, jacket, booty shorts with the same belt, fishnets and then the matching mid-calf black boots? COME ON. That job's been taken already!

I really wish they had taken a page from some of the other outfits Harley has worn, like Arkham City, Assault on Arkham, Gotham City Garage, Joker TPB, Injustice and even the rare Suicide Squad where she has pants and a functional looking outfit..


The interior art is  very much a step below the cover. I'm not really a fan of Miranda's art. At least here there is a bit more to differentiate Harley and Canary, although I stand by my previous comments about Harley needing a better outfit because she looks ridiculously out of place compared to the people she's with, to the extend someone could have poorly photo-shopped her in.
The background work is very nice though, so points for that.

Happy about Simone being back in the saddle - her dialogue between the Birds seems natural and fits their respective personalities, plus her Harley sounds less like an inbred hick and more like someone who genuinely has a bit of an accent/dialect.

My first issue with this first issue though is that it opens on "Later. Ten blocks away and thirty stories up..." which could work for the intrigue aspect but it just happens way too often in comics. Like, flitting between then and now is fine, but didn't we used to just have the comic open and THEN have the later/earlier sequence pop up? This reeks of Conner/Palmiotti. Ugh.

Next issue is immediate.
Harley Quinn is making all the decisions for a team she's not even in and everyone else just goes with it, while making vague comments about her mental capacity.

Random Harley related news

Sam Humphries Says DC Won't Let Him Use Poison Ivy in Harley Quinn

Posted on May 13, 2020 | by Rich Johnston | Bleeding Cool

So in this post, BC stated that rival comic book website CBR made a point of not asking writer Sam Humphries about the lack of Poison Ivy in the current Harley Quinn series and that fans are keen to see it even though apparently Harley's all over Booster Gold now. 

Humphries defended his writing saying he wanted to use Ivy but he doesn't have a choice as the characters aren't always available. 

Some of the questions fans were asking Humphries in a recent live chat were things like;

Question: Considering Poison Ivy is the Morticia to Harley Quinn's Gomez, can we expect them to get back together any time soon?

Humphries liked the question - personally I think that it's a bit weird to compare probably the best straight relationship ever with a bi relationship that's rarely written in an interesting way. What really got me laughing was this bit from BC;

It has been noted that there seems to have been an editorial stance to a) make Poison Ivy a bad guy again and b) remove her as ever having been part of a couple with Harley Quinn, as previously established in the Harley Quinn series and in Heroes In Crisis. Plenty of her fans aren't entirely down with that, after seeing a more nuanced Ivy in the comics in recent years, though that portrayal has been spotty of late. They also see the removal of her from Harley's life as another example of straightwashing Harley Quinn now that the character has a higher media profile.

Can you get annoyed about a character being straight washed when she was originally a straight character that got retconned into a bisexual to fan pander and garner interest? And... if Harley is canonically Bi... how is it a problem if she dates a man? Have you ever read the Conner/Palmiotti run where 'girlfriends without the jealousy of monogamy' meant Harley was almost literally in EVERYONE'S pants at any given time? Where was the outrage there? 

I know lots of fans have always shipped these two, but I stand by my prior statements that these two are a shitty couple. Yeah, not exactly a step above the Joker and Harley. 

If - to make these two characters work in a relationship - you have to first entirely change their sexual preferences, then their entire character - it's not worth it. 

DC Universe Harley Quinn #62

Alright, this one I've been putting off for a while because just reading this comic exhausted me. More on that later.

Anyway, first cover is fine I guess, but the Enchantress' face is scarier than I think the artist intended. Plus, is Harley offended at being called an idiot or is she so far removed from being a jester now that she has no idea what 'fool' means in context?

Cho's cover is a lot better than normal - actually fits the comic's theme and does a good job. It's still weird seeing Harley in the classic costume but not wearing her domino mask. It's like leaving the house not wearing shoes or something. Weird. Doable depending on where you're going, but still like... weird. Also Catwoman's helmet straps dangling seem like an unusual liability for her.

So - why am I exhausted?

Well....

This is page one. 

Did we not get rid of this million speech bubbles bull crap already? And for good reason? 

I'm not the kind of person to baulk at reading - I love reading, and I read fast. I read comics, novels of fiction and non, magazines, blogs, newspapers, flyers, cereal boxes, the really small fine print you get in contracts, HELL - I'm that person that actually reads the pamphlets that come with medication! 

So it's not just the sheer amount of words that are a problem, it's the obnoxious way it's shoved in our faces, complete with randomly sized and differently coloured key points so you don't fall asleep reading the damn thing. 

So, to break it down - Harley - talking to us via the fourth wall - recaps the WHOLE last issue again. She does this while literally being burnt at the stake because PRIORITIES, clearly. Then the whole thing is supposed to be her 'testimony' to Tina, trying to prove she's not crazy. Harley's supposed to be smarter than this, like PhD smart, yet she can't take a second to read the room? She KNOWS people here don't understand her, yet she makes no effort, even when her life and the life of Catwoman is on the line, to pretend to be normal and speak clearly?

Would you talk the same to the CEO of your company as you would to a toddler? How about an astrophysicist versus a grade schooler? An English literature professor against an immigrant who knows only basic translations? Your best friend or your worst enemy?

NO. 

Suicide Squad New52 #23 - Overkill

Oct 2013
"Slash 'n' Burn"
Writer: Ales Kot
Pencils: Rick Leonardi

I'll be honest with ya'll.... this cover looks familiar but I don't recall ever reading this issue before now. Is that good or bad? Honestly not too sure. Maybe I did read but but forgot about it? Who knows. This cover is basically a representation of the Squad's teamwork style - all doing their thing without factoring in what the rest are doing and if it's safe to jump in with your claws when someone's either shooting a gun or aiming a RPG at your intended trajectory point...

I mean, it's not a bad cover - I kinda like the stark white contrast of the background compared to the colourful outfits of the cast. I am concerned about the body shapes of the women though... Cheetah looks like she has no strength in her arms and is painfully contorted. Harley - well, still awkward pre-pubescent boy body yet huge boobs but with the addition of super weird pigtails. Deadshot is squished off to the corners because his outfit's not revealing enough.

Back in Louisiana, Waller and Gordon are having a heart to heart. It's kinda nice seeing Waller having someone she can talk to and not just exposition over or constantly have to compete in urination contests with. Well, that still happens but the conversation here between the maniacal control freak and the one eyed obsessive mother-lover seems quite genuine, and not forced.

Well... it still gets weird. Gordon takes a break out of talking to Waller to monologue his favourite Foreigner song even after she compliments him and tells him she respects him.

Gotham City Sirens #10 - Taking Sides

This is one of my favourite Gotham City Sirens covers ever. Even though it's got a rather dark palette, it still manages to be kind of pastel. At first glance you could mistake the poses for generic, over posed comic book fare, or something right out of a James Bond poster but the poses are so in character, it's great. Ivy frolicking around her garden, tending to one of her many plants. Harley looks like she's stretching before jumping into some crazy gymnastics move, and Catwoman is stood there like why am I with these people again?

I also quite like the crossword puzzle aesthetic, tying it into the inclusion of the Riddler.

When we last left off with the Gotham City Sirens, Edward Nigma had been helping them solve a murder they were seemingly being framed for, and had now found himself into some hot water as a result.

Luckily, our antagonist Dr. Aesop likes to monologue - maybe not surprising for someone who stole their name from the famous fables author - and between Riddler's deductions and Dr. Aesop's explanations the whole story comes out. Our Sirens are listening in from the skylight and it's revealed they were using Nigma the whole time.


Harley at least has the decency to feel bad about it, Ivy couldn't give a plant fertiliser and Selina is somewhere in between - doesn't really care but also doesn't want Eddie to get hurt because of it.

Wonder Woman: Agent of Peace #1

Commitment to Chaos

During a run-in with a villainous crime syndicate, Wonder Woman learns about a hit list whose biggest target is a familiar name – Harley Quinn! Can the Champion of Paradise Island track down the Clown Princess of Crime before it’s too late?

Writers: Conner/Palmiotti
Artist: Miranda

Colours: Hi-Fi

April 2020

There's not a lot of variation in these two covers, Wonder Woman looking "off-screen" at whatever threat she's countering. Harley Quinn acting tough behind her, and in BOTH covers manages to make direct eye contact with the reader. I'm not the biggest fan of Conner's artwork.. but good gravy it looks like something from the Louvre next to the horrible body shapes and contortions that the variant gives us. What happened to variant Diana's shoulder and stomach?? Why are variant Harley's boobs looming like visions of doom from the future.... larger than life and certainly larger than her head! 

I first became aware of this comic from the Wonder Woman fan page on Facebook, and the majority of comments were "Why is Harley here? She's way over-saturated" which  is true, she really is. Combined with the fact that both the former writers and artist hail from the Harley Quinn solo series, there is not a doubt in my mind that Wonder Woman is going to get sidelined in her own series. 

The last time these two got involved it was like a really weird fan fiction where not only was Wonder Woman sidelined, but she was really out of character for the sake of having her team up with the Brooklyn Babbler. 

Well, I'm wearing my Wonder Woman shirt.. let's see if this issue is at least better than that time. 

Opening on Wonder Woman wandering through some city - we get some exposition about buildings collapsing randomly followed by some real estate fraud but it doesn't say where she is. I haven't kept up as late with the current Wonder Woman but she used to be based around Washington DC either for her museum or Dept. of Metahuman affairs, New York for her embassy or Boston for her agency.. 

I guess we're in generic USA City. Wonder Woman looks a bit like a strung out supermodel and because it wouldn't be a Conner/Palmiotti book without it, there's obligatory scenes of both gushing fan girls and authoritarian-stereotypical tough guys for the heroine to beat up. 

Birds of Prey Episode 6: Primal Scream

Well, it's been a while since I've done one of these, and even though this iteration is elseworlds, it's still more canon than the "Birds of Prey" movie so let's go!

Detective Reece fiddles with the fancy new ring he got out of a Christmas cracker, then lo and behold...HUNTRESS APPEARS! She had to wait until the ambulance passing distracted him so she could make her grand arrival, so she was probably sitting up a tree waiting patiently for a few minutes. He's impressed by her timing, she's bragging about her speed like she's a pizza delivery or courier mail service, he wants to get onto talking about kicking it up a notch in their relationship, she's not sold and I'm over here thinking HOW did she know where he was AND how did she get there so fast, she just has to be stalking this guy, seriously.

Anyway, they're off flirting or whatever it is that's not an emergency but meanwhile, the club is getting shot up by a bunch of motorcycle dorks wearing animal head pieces. I mean, I'm kinda impressed by the skill it must have took to ride the motorbike and hold up a club while wearing something that may impede your vision, but the furry in me is offended at how lazy their costumes are. I mean, just the heads? No tails or anything?? Maaaaan!

That said, it may not just be a gang gimmick because when the bartender pulls a gun, Cathead does some super speed ninja-ing to save a wolf friend. Props for this one thug to go the cartoon route when their colleagues clearly decided on an ultra-realistic theme. You might even say this lone wolf went against the pack mentality? Hehehe.

Then just to show she's super cool, cat lady downs a random drink at the bar which is a very bad example. I mean, that drink could have been spiked, backwashed in, or just taste feral.
This gang at least seem to care enough about each other, and are also their own hype men. But wait... why does cat lady have a similar necklace to the one Helena was wearing? Her penchant for leather outerwear and fancy violence?? Probably because...

*pause for dramatic reveal*

It IS Helena!

DC Bombshells #14 Combat pt 5 of 9

When we last left off with DC Bombshells, the good doctor Harley had just abandoned her post... crashed a few parties.... dumped Green Lantern and stole a plane. Just a typical night out in London. Am British by birth - can confirm.

Harley flies over the English Channel (comic puts her at 3 miles from Calais, France but still in 1940) singing her best mutilated Christmas Carol when she's shot down by no less than three tanks. I mean, it IS a special occasion after all. Harley doesn't mind, she rides one of the overlarge shells down in her best Dr. Strangelove impersonation - never mind that the shell must be scorching her thighs, there's debris everywhere, she's falling to her imminent doom and she's wearing a bikini top and mini shorts in the frigid weather.

Luckily, she lands safely in a random greenhouse. Her irritation at the shell for.... not going off? ...is somewhat abated by the appearance of a mysterious, yet clearly armed woman.

Batman: The Dark Prince Charming #1

I've been wanting to do this review for a while, basically since I heard it existed.

Jan 2018
Story and art by Enrico Marini

I'm a big fan of people who write and create/draw their own visions. So many Manga stars do this, and just have a crew to help with backgrounds and inks etc. I mean, not wanting to kick people who can't draw, because on the other hand some people who can draw can't write the story or can't do the inking or colours. But it's like - when someone writes the story, then goes and makes it - you're seeing exactly what they envisioned with the story.

Plus it's a standalone story with a new version of Joker and Harley Quinn. Wait, that doesn't sound like me recently. Wasn't I sick of all the conflicting versions of Harley? Yes. This is true. But, back in my early fandom this sort of thing was exciting. It was cool to go from the Harley Quinn in BTAS
to the blood soaked, unforeseen psychosis of Thrillkiller Harley. Later on or I guess more recently - I would say the same thing about the stupid solo version of Harley and then latching onto the Injustice version for sweet relief.

Also the detail in this scene is amazing... and the subject matter quite terrifying.

Opening on a little girl in a dodgy looking basement. Oh, well, that's mean. The basement is quite nice for a basement and looks functional as hell, but it's not the kind of basement a young girl would like to be in by herself after being kidnapped. That's what I'm saying. Especially when the Joker is coming down the stairs. In Gotham. I mean, you don't wanna be in Gotham at the best of times but yeah, this, this is not that time.

It's not even safe in stately Wayne Manor. First Bruce gets a suspicious gift decked out in Joker colours, then he has to go and stop a clown robbery.

On the plus side, Gotham has a nice selection of rooftops. 

Damn the art is nice in this. Also, The Joker is his own thing in this yet somehow a mix of what made him funny in BTAS, crazy like in the Joker standalone, in love with Harley like in White Knight and obsessed with Batman like.. well, like a lot of things he's been in.

Not one, not two, but three sex puns? Niiiice.

Side note - if you're driving a loaded semi in peak hour traffic in Gotham while reading a nudie magazine.... you kinda deserve to be hit by a clown with a bat hood ornament. Just saying.

New52 Grifter vs Suicide Squad

So for a change of pace, thought I might take a look back at the earlier incarnations of the New52 Suicide Squad and their tentative steps into the world of cross overs. I am not a Grifter fan, in case you were wondering. I don't know anything about him apart from his cheap Spidey-Poole costume, fondness for guns and a code name that implies he's dodgy as a backstreet lung.

Feb 2013

Action packed cover. If you're wondering why the artist forgot to draw a bunch of arms holding those guns, it's because Grifter is telekenetic... because of course he is. Still doesn't excuse his lazy costume.

Opening up on some sort of briefing which we're later shown is a recording being shown to Waller alone, we're shown a red haired girl with green eyes and told this is the target, and she's joined some sort of alien cult because how else would she spend her Saturday night?

Anyway, the first picture of the girl is her in a green singlet, then the rest of the panels show her singled out in the middle of the room, then there are two more panels with a girl with red hair and green eyes, yet sitting at the front here and with a different dress.

Plus the people she's sitting next to are swapped out. Soo.... is the red head the same girl the whole time? Is the first image a stock photo and the rest is the 'live' scene? It's confusing. The art's not too bad though.





Waller gets chewed out for a past mission failure and then we're back into the action, watching Grifter run and monologue at the same time. Oh, and also dodging bullets. I wonder who's shooting at this guy? Could it be....

Yes! It's Shooty Robot, Fire Skull and Emo Levitating clown!
Oh lawd, doesn't Harley's face remind you of that time Dc released all the 'Arkham City/Harley's Revenge' tie ins and promos, and she was just constantly either crying or having dripping eyeliner? Wait, is this a nod to sad clowns? Well, either way her pose is stupid and she looks more wannabe emo than a dramatic-comedic persona. Also, Grifter and Deadshot have the same pose more or less.
Also Harley's quip would probably make more sense if she wasn't from Gotham and had a history of breaking into Arkham herself.

Still, as much as Harley's pose and face freaks me out... it's not as bad as the next page.